'Igginbottom
'Igginbottom: Pioneers of British Jazz Rock
'Igginbottom was a short-lived but influential British group operating at the intersection of jazz rock and progressive rock. Their primary achievement is the cult classic 1969 album "'Igginbottom's Wrench", which has gained historical significance for featuring early work from future musical stars.
Early Career
The band formed in Manchester, England, in the late 1960s, a fertile period for British progressive music. The lineup consisted of guitarist Allan Holdsworth, drummer Steve Robinson, bassist Dave Freeman, and vocalist and guitarist "Sweet" Mike Stevens.
Breakthrough
The group's breakthrough, though not commercially massive at the time, was the release of their sole album in 1969 on the Deram Nova label, a subsidiary of Decca Records. Titled 'Igginbottom's Wrench, the album is now highly sought after by collectors, serving as the first major recorded document of Allan Holdsworth's revolutionary guitar style.
Key Tracks
The Witch - This track showcases the band's complex compositional style and the early, fiery guitar improvisations that would define Allan Holdsworth's career.
Golden Lakes - A prime example of their blend of melodic vocal passages with intricate, jazz-inflected instrumental sections.
Not So Sweet Dreams - Highlights the group's progressive rock leanings and the tight, dynamic interplay between all four musicians.
Following the album's release, 'Igginbottom disbanded, allowing its members to pursue other projects. Most notably, guitarist Allan Holdsworth embarked on a legendary career, becoming one of the most technically advanced and influential guitarists in jazz fusion and progressive rock, playing with bands like Soft Machine, The New Tony Williams Lifetime, and Gong.
The legacy of 'Igginbottom is intrinsically tied to this early showcase of Holdsworth's talent. The album's rarity and historical importance have cemented its status as a foundational piece of the British jazz rock canon, studied by fans of both progressive rock and guitar virtuosity.
Listeners who appreciate the pioneering work of 'Igginbottom often explore similar artists from the same era and region. The complex fusion of Soft Machine shares a similar experimental approach to blending jazz and rock structures. The early, Canterbury-scene sound of Caravan offers a parallel in progressive rock exploration. For the instrumental prowess and jazz-rock fusion, the work of Colosseum provides a relevant comparison. The guitar-focused innovation found in The Tony Williams Lifetime, which later featured Allan Holdsworth, is a direct evolutionary step from the sounds explored on "'Igginbottom's Wrench".