Posthuman: The UK's Industrial Techno Architect

Posthuman is the primary alias of British electronic music producer and DJ Jamie Roberts, a foundational figure in the UK's industrial techno and bass-heavy electronica scene. From his base in London, he has built a formidable reputation through relentless touring, a prolific release schedule on his own label, and a signature sound that merges punishing rhythms with dystopian atmosphere.

Early career

Jamie Roberts began his musical journey in the late 1990s, immersing himself in the underground rave and breakbeat culture of the United Kingdom. His early work, often under different aliases, explored the intersections of drum and bass, breakbeat, and experimental electronics, laying the groundwork for his heavier future direction.

In 2005, he formally launched the Posthuman project, establishing the BASS=WAR record label as its primary outlet. This move allowed him complete creative control, releasing a steady stream of EPs and remixes that carved out a distinct niche of raw, warehouse-ready techno infused with punk attitude and sci-fi themes.

Breakthrough

Posthuman's breakthrough to a wider global audience accelerated in the early 2010s through relentless international DJ tours and key festival appearances. The 2012 album Endangered Species on BASS=WAR solidified his status, its uncompromising blend of industrial, techno, and acid resonating powerfully with the burgeoning industrial techno movement.

His reputation as a formidable live act grew, leading to high-profile slots at major festivals like Glastonbury and Bang Face, and consistent support from influential radio shows including BBC Radio 1's experimental programs.

Key tracks

Endangered Species — The title track from his pivotal 2012 album encapsulates his signature fusion of driving techno percussion with ominous, cinematic synth work.

We Are The Future — A collaborative anthem with Berlin's Ansome, this track became a staple in heavy techno sets worldwide, known for its crushing bassline and militant energy.

Riot — This track exemplifies the Posthuman ethos, combining aggressive, loop-driven rhythms with samples that channel a potent sense of rebellion and unrest.

Ironclad — A later career highlight showcasing a refined but brutal production style, built on relentless metallic percussion and a hypnotic, punishing groove.

Throughout his career, Posthuman has remained fiercely independent, releasing almost exclusively on his own BASS=WAR imprint while collaborating with peers like Blawan, Perc, and Shapednoise. His output remains prolific, with numerous EPs and albums including Wasteland and Echoes From The Void continuing to define the harder edges of the UK techno spectrum. For fans of intense, atmospheric, and rhythmically dominant techno, explore similar artists like Perc who shares a penchant for industrial noise and rhythmic experimentation. The driving, loop-based mechanics of Blawan also align closely with Posthuman's functional dancefloor approach. The raw energy and DIY spirit of Ansome mirrors the BASS=WAR label's aesthetic, making their collaborations natural. Furthermore, the dark, textured soundscapes of Shapednoise explore similar territories of bass-heavy, futuristic electronics.

Posthuman's music is a regular feature on specialist radio programming, particularly on stations and online streams dedicated to underground techno, industrial electronic music, and forward-thinking bass music. His tracks are frequently spun by DJs on independent music radio stations that champion the harder, more experimental side of the dance music spectrum.

The powerful industrial techno of Posthuman can be heard regularly on the radio stations featured on our website. Listeners can discover his extensive catalog and relentless rhythms by tuning into the dedicated electronic and techno stations available on onairium.com.