The Hundred in the Hands: New York's Post-Punk Revivalists

The Hundred in the Hands is an American electronic rock duo from Brooklyn, New York. Formed in 2008, the group carved a distinct niche in the late-2000s indie scene with their sleek fusion of post-punk basslines and shimmering synth-pop.

Early career

The duo, comprised of Eleanore Everdell and Jason Friedman, came together after the dissolution of Friedman's previous band, The Boggs. Drawing from a shared love for early 1980s British post-punk and new wave, they began crafting minimalist, rhythm-driven songs in 2008. Their initial self-titled EP was released digitally in 2009, catching the attention of the influential UK independent label Warp Records.

Breakthrough

The band's breakthrough arrived with their self-titled debut album, The Hundred in the Hands, released by Warp Records in September 2010. The album was met with critical acclaim for its sharp production and atmospheric songwriting, becoming a staple on college radio and alternative playlists. While it did not achieve major chart success, it solidified their reputation as innovators within the indie electronic genre.

Key tracks

Pigeons — This driving, bass-heavy single served as the band's introductory statement and a highlight of their debut album.

Dressed in Dresden — A standout track showcasing their knack for icy, melodic synth lines and Everdell's haunting vocal delivery.

Young Aren't Young — This song exemplifies their danceable, post-punk inspired rhythm section and atmospheric production.

Keep It Low — A track from their second album that demonstrated a denser, more layered approach to their established sound.

Their sophomore album, Red Night, arrived in 2012, exploring darker, more textured sonic landscapes. Following the album's release and subsequent touring, the duo entered a prolonged hiatus, with members focusing on other musical and production projects. Their concise but influential catalog continues to resonate with fans of sophisticated indie electronic music.

Fans of The Hundred in the Hands often appreciate the work of similar artists. The Knife shares a similar affinity for cold, precise electronic arrangements. Bloc Party parallels their rhythmic, guitar-driven post-punk energy. School of Seven Bells offers a comparable dream-pop and shoegaze-influenced electronic sound. The xx mirrors their minimalist, bass-focused and atmospheric style.

The music of The Hundred in the Hands maintains a steady presence on various radio formats. Their tracks are regularly featured on alternative rock radio stations, independent music radio stations, and specialty online radio streams dedicated to post-punk revival and modern synth-pop.

Listeners can explore the sleek electronic rock of The Hundred in the Hands through the radio stations featured on our website. Tune in to discover their music on the alternative and indie stations available on onairium.com.