Offenbach's Tales of Hoffmann: Fool for Love

Offenbach's Tales of Hoffmann: Fool for Love

Author: WQXR & The Metropolitan Opera January 29, 2020 Duration: 33:37
Love is intoxicating, but dating can be hard. In Jacques Offenbach’s The Tales of Hoffmann, a love-obsessed poet tells fantastical stories of romance gone very, very wrong. Based on the works of 19th-century Gothic horror writer E.T.A. Hoffmann, the opera is a journey through desire and loss – a journey that just might make you feel better about your own dating disasters!  In the aria “Ô Dieu! de quelle ivresse,” the poet-protagonist Hoffmann professes his passionate love to the courtesan Giulietta. In this episode, Rhiannon Giddens and her guests explore the intoxicating power of romance, and the magically mysterious world created by both E.T.A. Hoffmann and Offenbach. Tenor Matthew Polenzani sings the aria onstage at the Metropolitan Opera.  The Guests Tenor Matthew Polenzani has just wrapped up his 22nd season at the Metropolitan Opera, which is one of many places he’s performed the role of Hoffmann. As a happily married man, he can’t quite relate to the poet’s unending heartbreak, but he does believe that all artists should have a touch of crazy in them. Veronica Chambers is a writer and editor for The New York Times. In 2006, her essay “Loved and Lost? It’s O.K., Especially if You Win” was published in the Modern Love column, detailing her long list of doomed romances. But, like Hoffmann, she kept her heart wide open to the possibility of love. Stage director Beth Greenberg directed The Tales of Hoffmann for New York City Opera back in 1996. She counts Jacques Offenbach among the greatest composers, in part because of his extraordinary sense of satire. She likes to think of him as “the Mel Brooks of the Champs-Élysées.” Francesca Brittan is an Associate Professor of Music at Case Western Reserve University. Her work focuses on 19th- and 20th-century music, and her 2017 book Music and Fantasy in the Age of Berlioz details her fascination with the fantasy genre in literature and in music. She loves exploring the secret worlds imagined by E.T.A. Hoffmann and writers like him.

There’s a moment in every great opera where the story narrows to a single, soaring voice-an aria that captures a character’s deepest joy, despair, or longing. Aria Code is built around those moments. This isn't a dry history lesson; it's an invitation to understand the craft and emotion packed into a few minutes of music. Each episode takes one iconic aria and unpacks it from every angle. You’ll hear the aria itself in stunning performances from the Metropolitan Opera’s archive, but the real magic lies in the conversation around it. Host Rhiannon Giddens, a celebrated musician and MacArthur Fellow, guides these explorations with genuine curiosity. She’s joined by the very singers who have mastered these roles, like Roberto Alagna, Diana Damrau, and Sondra Radvanovsky, who share the physical and interpretive challenges behind the notes. Alongside them, musicologists, directors, and even psychologists chime in to reveal what makes each piece so timeless and powerful. Produced by WQXR & The Metropolitan Opera, this podcast feels like a backstage pass, offering a rare blend of technical insight and raw human storytelling. Whether you're a seasoned opera lover or simply curious about what makes these pieces so enduring, you’ll find yourself listening more closely, hearing not just a beautiful voice, but an entire world of meaning coded into the music.
Author: Language: en-us Episodes: 52

Aria Code
Podcast Episodes
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Massenet's Werther: You've Got Mail! [not-audio_url] [/not-audio_url]

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Duration: 26:12
When the Voyager spacecraft set off to explore the galaxy in 1977, it carried a recording to represent the best of humanity. The “Golden Record” featured everyone from Bach to Chuck Berry, but there was only one opera ar…
Verdi's Rigoletto: First Love, Wrong Love [not-audio_url] [/not-audio_url]

Duration: 32:39
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Donizetti's La Fille du Régiment: Sailing the High Cs [not-audio_url] [/not-audio_url]

Duration: 28:38
Singing even one high C can be an event for the tenor and his audience. Everyone in the room knows how easily it could go wrong. Multiply that pressure by nine? You get “Ah, mes amis.” Gaetano Donizetti wrote this high-s…
Saint-Saëns’s Dalila: She's a Femme Fatale [not-audio_url] [/not-audio_url]

Duration: 29:44
She seduces, she traps, she destroys. She's a femme fatale and her signature aria is the dangerously alluring “Mon coeur s’ouvre a ta voix” from Samson et Dalila by Camille Saint-Saëns. "My heart opens to your voice,” si…
Puccini's Tosca: I Offered Songs to the Stars [not-audio_url] [/not-audio_url]

Duration: 24:26
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Puccini's La Boheme: Is Love at First Sight Really a Thing? [not-audio_url] [/not-audio_url]

Duration: 25:11
Love at first sight is not just a cliché of romantic comedies: more than half of all Americans say they’ve experienced it. Can this explain the timeless appeal of Puccini’s La Bohème? In this episode, host Rhiannon Gidde…
Verdi's La Traviata: Opera's Original 'Pretty Woman' [not-audio_url] [/not-audio_url]

Duration: 33:19
What would you give up for true love? Verdi's La Traviata opens a window into a courtesan's heart as she makes the biggest decision of her life. In this episode, host Rhiannon Giddens welcomes soprano Diana Damrau, drama…