Once More Into the Breeches: Joyce DiDonato Sings Strauss

Once More Into the Breeches: Joyce DiDonato Sings Strauss

Author: WQXR & The Metropolitan Opera September 15, 2021 Duration: 32:38
The young Composer in Strauss’s Ariadne auf Naxos is one of opera’s great trouser roles -- a female singer playing the part of a young man.  He is set to premiere his new opera at the home of the richest man in Vienna, only to learn moments before the performance that a bawdy comedy troupe will be performing at the same time.  As his plans collapse around him, the Composer falls in love with Zerbinetta, the leader of the commedia dell'arte troupe, and his whole world changes in a flash. In his aria “Sein wir wieder gut,” he sings about how he now sees everything with new eyes. Host Rhiannon Giddens and her guests explore the transformational power of love, music and putting on a pair of pants. The Guests Mezzo-soprano Joyce DiDonato is a multi Grammy Award-winner and a fierce advocate for the arts. She’s also kind of a hero, bringing her talents to classrooms, prisons, and refugee camps, and sharing the transformative power of music. She loves playing trouser roles, and finds singing the Composer in particular to be an experience of discovery and total joy.  Writer Paul Thomason is a die-hard Strauss fan and is writing a book about the composer. He sees Strauss as the great humanist among composers, because he presents his characters exactly as they are. He studied conducting and worked with maestros Thomas Schippers and Peter Maag. He has also appeared on the Met Opera’s intermission quizzes during their Saturday broadcasts. Mo B. Dick is a founding father of the drag king movement. He started performing in drag in 1995 and founded Club Cassanova, the first weekly party dedicated to drag kings, and has made appearances in movies and television. He is also one of the cofounders of the website dragkinghistory.com, which archives the history of drag kings and crossdressers dating all the way back to the Tang dynasty.

There’s a moment in every great opera where the story narrows to a single, soaring voice-an aria that captures a character’s deepest joy, despair, or longing. Aria Code is built around those moments. This isn't a dry history lesson; it's an invitation to understand the craft and emotion packed into a few minutes of music. Each episode takes one iconic aria and unpacks it from every angle. You’ll hear the aria itself in stunning performances from the Metropolitan Opera’s archive, but the real magic lies in the conversation around it. Host Rhiannon Giddens, a celebrated musician and MacArthur Fellow, guides these explorations with genuine curiosity. She’s joined by the very singers who have mastered these roles, like Roberto Alagna, Diana Damrau, and Sondra Radvanovsky, who share the physical and interpretive challenges behind the notes. Alongside them, musicologists, directors, and even psychologists chime in to reveal what makes each piece so timeless and powerful. Produced by WQXR & The Metropolitan Opera, this podcast feels like a backstage pass, offering a rare blend of technical insight and raw human storytelling. Whether you're a seasoned opera lover or simply curious about what makes these pieces so enduring, you’ll find yourself listening more closely, hearing not just a beautiful voice, but an entire world of meaning coded into the music.
Author: Language: en-us Episodes: 52

Aria Code
Podcast Episodes
Floyd's Susannah: Hopeless in New Hope, featuring Renée Fleming [not-audio_url] [/not-audio_url]

Duration: 31:07
When the great American composer Carlisle Floyd wrote his first full-length opera, Susannah, back in the 1950s, he had no way of knowing how the Biblical themes of shame, blame and lust would resonate today. In this spec…
Flower Power: Don José and Dangerous Love in Bizet's Carmen [not-audio_url] [/not-audio_url]

Duration: 28:17
You hear the message over and over in pop culture: love overcomes everything. But when Don José sings “The Flower Song” in Bizet's Carmen, you're reminded that love has a dark side, too. In the Season 1 finale, host Rhia…
Massenet's Werther: You've Got Mail! [not-audio_url] [/not-audio_url]

Duration: 29:49
A picture may paint a thousand words, but nothing compares to the intimacy and immediacy of a handwritten letter. Hearing the "Letter Aria" from Jules Massenet's Werther will prove it. From an opera based on the Goethe n…
Mozart's Queen of the Night: Outrage Out of This World [not-audio_url] [/not-audio_url]

Duration: 26:12
When the Voyager spacecraft set off to explore the galaxy in 1977, it carried a recording to represent the best of humanity. The “Golden Record” featured everyone from Bach to Chuck Berry, but there was only one opera ar…
Verdi's Rigoletto: First Love, Wrong Love [not-audio_url] [/not-audio_url]

Duration: 32:39
You’ve probably been there: in love for the first time and enchanted by the very sound of your sweetheart’s name. The problem for Gilda in Verdi’s Rigoletto is that her new love isn’t who he says he is. The worst will co…
Donizetti's La Fille du Régiment: Sailing the High Cs [not-audio_url] [/not-audio_url]

Duration: 28:38
Singing even one high C can be an event for the tenor and his audience. Everyone in the room knows how easily it could go wrong. Multiply that pressure by nine? You get “Ah, mes amis.” Gaetano Donizetti wrote this high-s…
Saint-Saëns’s Dalila: She's a Femme Fatale [not-audio_url] [/not-audio_url]

Duration: 29:44
She seduces, she traps, she destroys. She's a femme fatale and her signature aria is the dangerously alluring “Mon coeur s’ouvre a ta voix” from Samson et Dalila by Camille Saint-Saëns. "My heart opens to your voice,” si…
Puccini's Tosca: I Offered Songs to the Stars [not-audio_url] [/not-audio_url]

Duration: 24:26
When things go from bad to worse for Tosca, Puccini’s tragic heroine, she turns inward and prays. “I lived for art,” she tells God, “I lived for love.” What did I do to deserve all this? Tosca's despair and the moving wa…
Puccini's La Boheme: Is Love at First Sight Really a Thing? [not-audio_url] [/not-audio_url]

Duration: 25:11
Love at first sight is not just a cliché of romantic comedies: more than half of all Americans say they’ve experienced it. Can this explain the timeless appeal of Puccini’s La Bohème? In this episode, host Rhiannon Gidde…
Verdi's La Traviata: Opera's Original 'Pretty Woman' [not-audio_url] [/not-audio_url]

Duration: 33:19
What would you give up for true love? Verdi's La Traviata opens a window into a courtesan's heart as she makes the biggest decision of her life. In this episode, host Rhiannon Giddens welcomes soprano Diana Damrau, drama…