Rossini's Barber of Seville: On a Wig and a Prayer

Rossini's Barber of Seville: On a Wig and a Prayer

Author: WQXR & The Metropolitan Opera April 7, 2021 Duration: 41:02
Chances are, you know the overture to The Barber of Seville (maybe from Bugs Bunny?!) but Gioachino Rossini’s most famous opera is more than a comedic romp. Embedded in the topsy-turvy tale of young love and silly disguises, there is a story of forced marriage and a woman’s determination to live a life of her choosing.  We meet the heroine Rosina for the first time in the aria “Una voce poco fa,” in which she declares that while she may seem sweet and innocent, she is really not someone to be messed with. Host Rhiannon Giddens and her guests explore the courage it takes to live life on your own terms and the way this almost absurd story pulled from a centuries-old novel still resonates today. You’ll hear how one guest has her own escape-from-a-forced-marriage story that uncannily matches Rosina’s.The Guests: Soprano Pretty Yende first sang the role of Rosina in Norway in 2014, and it’s since become one of her favorite roles. She loves playing Rosina because the character is fun, witty, and unlike so many operatic heroines, she gets to hit all the high notes and live happily ever after. Conductor James Conlon is Music Director of the Los Angeles Opera. He first heard The Barber of Seville when he was 11 years old and fell in love on the spot. Later that summer, he made his debut as director, producer, and Count Almaviva in his friend’s garage, with a very appreciative audience lined up in the driveway. Activist Jasvinder Sanghera is a survivor of forced marriage. She has spent the last four decades advocating for women, children, and men silenced by domestic abuse and forced marriages, and founded the award-winning charity Karma Nirvana in 1993. 

There’s a moment in every great opera where the story narrows to a single, soaring voice-an aria that captures a character’s deepest joy, despair, or longing. Aria Code is built around those moments. This isn't a dry history lesson; it's an invitation to understand the craft and emotion packed into a few minutes of music. Each episode takes one iconic aria and unpacks it from every angle. You’ll hear the aria itself in stunning performances from the Metropolitan Opera’s archive, but the real magic lies in the conversation around it. Host Rhiannon Giddens, a celebrated musician and MacArthur Fellow, guides these explorations with genuine curiosity. She’s joined by the very singers who have mastered these roles, like Roberto Alagna, Diana Damrau, and Sondra Radvanovsky, who share the physical and interpretive challenges behind the notes. Alongside them, musicologists, directors, and even psychologists chime in to reveal what makes each piece so timeless and powerful. Produced by WQXR & The Metropolitan Opera, this podcast feels like a backstage pass, offering a rare blend of technical insight and raw human storytelling. Whether you're a seasoned opera lover or simply curious about what makes these pieces so enduring, you’ll find yourself listening more closely, hearing not just a beautiful voice, but an entire world of meaning coded into the music.
Author: Language: en-us Episodes: 50

Aria Code
Podcast Episodes
Aria Code Returns for Season 4! [not-audio_url] [/not-audio_url]

Duration: 2:00
​​Aria Code is back! At long last, Rhiannon Giddens returns to guide listeners through highlights from the Met’s ‘23-’24 season. Our first episode drops October 4th. Subscribe wherever you get podcasts!
P.S. I Love You: Renée Fleming Sings Tchaikovsky's Eugene Onegin [not-audio_url] [/not-audio_url]

Duration: 51:13
Saying “I love you” for the first time takes courage, especially when you don’t know the response you'll get. But being open with your emotions and putting yourself out there can change you in unexpected ways. In Pyotr I…
To Be Or Not To Be: Dean's Hamlet [not-audio_url] [/not-audio_url]

Duration: 41:58
“To be or not to be, that is the question.” It’s hard to think of a more famous line from a more famous play. In this iconic speech from Shakespeare’s Hamlet, the troubled Danish prince asks whether this whole life thing…
Potion, Emotion, Devotion: Wagner's Tristan und Isolde [not-audio_url] [/not-audio_url]

Duration: 39:46
When we talk about “falling in love,” we talk about it like it is something that just happens. Suddenly the ground opens up and we are falling for somebody, as if there is no choice in the matter. This is everywhere -- i…
Blanchard's Fire Shut Up in My Bones: A Boy of Peculiar Grace [not-audio_url] [/not-audio_url]

Duration: 42:45
This week we’re decoding with the man who wrote the code - Terence Blanchard, composer of Fire Shut Up in My Bones. Not only is it the work that reopened the Met after its 18-month pandemic shutdown, but it’s also the fi…
Verdi's Nabucco: By the Rivers of Babylon [not-audio_url] [/not-audio_url]

Duration: 44:16
Psalm 137 depicts the ancient Hebrews, enslaved and weeping “by the rivers of Babylon,” as they remember their homeland, Jerusalem. Those words have inspired songwriters of reggae, Broadway, disco, folk and more, but one…
Once More Into the Breeches: Joyce DiDonato Sings Strauss [not-audio_url] [/not-audio_url]

Duration: 32:38
The young Composer in Strauss’s Ariadne auf Naxos is one of opera’s great trouser roles -- a female singer playing the part of a young man. He is set to premiere his new opera at the home of the richest man in Vienna, on…
Breaking Mad: Donizetti's Lucia di Lammermoor [not-audio_url] [/not-audio_url]

Duration: 1:04:20
People who go to see Gaetano Donizetti’s Lucia di Lammermoor spend the entire evening waiting for the famous Mad Scene, to hear the soprano’s incredible acrobatics, and to feel her intense emotional changes over the cour…
Crisis in the Kremlin: Mussorgsky's Boris Godunov [not-audio_url] [/not-audio_url]

Duration: 33:57
Perhaps no opera better reflects the questions and contradictions at the heart of Russian history than Modest Mussorgsky’s historical epic Boris Godunov. Based on the play by Alexander Pushkin (considered by many to be o…
Only the Good Die Young: Verdi's La Traviata [not-audio_url] [/not-audio_url]

Duration: 37:39
One of opera’s great heroines is based on one of history’s extraordinary women. The 19th century French courtesan Marie Duplessis was elegant, successful, famous, and gone before her time, dying of tuberculosis at the ag…