Strauss's Der Rosenkavalier featuring Renée Fleming: Here's To You, Mrs. Marschallin

Strauss's Der Rosenkavalier featuring Renée Fleming: Here's To You, Mrs. Marschallin

Author: WQXR & The Metropolitan Opera December 18, 2019 Duration: 34:54

It’s not easy to accept the changes that come with time and age. For Richard Strauss’s Marschallin, the trick is simply learning to let go. When the curtain comes up on Der Rosenkavalier, she is having an affair with the young Count Octavian, but she quickly comes to realize that she will one day lose him to a woman his own age. Throughout Act I, she reflects on her lost youth, her desire to stop all the clocks, and on the fleeting nature of beauty and love.  

In this episode, host Rhiannon Giddens and her guests ruminate on the passage of time as the Marschallin learns to let go of her younger lover, and her younger self. At the end of the show, soprano Renée Fleming sings, “Da geht er hin” from the Metropolitan Opera stage.

The Guests

Soprano Renée Fleming made the Marschallin one of her signature roles. Over the years, she explored many facets of this complex character, from her youthful impetuousness to her world-weariness. In her final performance of the Marschallin at the Met in 2017, Fleming expected to feel sadness, but instead, she was overcome with joy and gratitude. 

Writer Paul Thomason is currently writing a book on the music of Richard Strauss. He is in love with the music in Der Rosenkavalier, calling it “deep soul music.” 

Wendy Doniger is a writer and retired professor from the University of Chicago who shared a special love of opera with her mother. In fact, opera was more or less their form of religion, and Der Rosenkavalier was a particular favorite.

Dara Poznar is a life coach with her own story to tell about a relationship with a younger man, as well as her process of coming to terms with their age difference. In writing about this experience, she received an outpouring of camaraderie and support from other women who were also asking themselves the same questions about how their age would affect their relationships.  


There’s a moment in every great opera where the story narrows to a single, soaring voice-an aria that captures a character’s deepest joy, despair, or longing. Aria Code is built around those moments. This isn't a dry history lesson; it's an invitation to understand the craft and emotion packed into a few minutes of music. Each episode takes one iconic aria and unpacks it from every angle. You’ll hear the aria itself in stunning performances from the Metropolitan Opera’s archive, but the real magic lies in the conversation around it. Host Rhiannon Giddens, a celebrated musician and MacArthur Fellow, guides these explorations with genuine curiosity. She’s joined by the very singers who have mastered these roles, like Roberto Alagna, Diana Damrau, and Sondra Radvanovsky, who share the physical and interpretive challenges behind the notes. Alongside them, musicologists, directors, and even psychologists chime in to reveal what makes each piece so timeless and powerful. Produced by WQXR & The Metropolitan Opera, this podcast feels like a backstage pass, offering a rare blend of technical insight and raw human storytelling. Whether you're a seasoned opera lover or simply curious about what makes these pieces so enduring, you’ll find yourself listening more closely, hearing not just a beautiful voice, but an entire world of meaning coded into the music.
Author: Language: English Episodes: 52

Aria Code
Podcast Episodes
Aria Code Returns for Season 4! [not-audio_url] [/not-audio_url]

Duration: 2:00
At last! After much anticipation, Aria Code returns! We’re guiding listeners through highlights from the Metropolitan Opera’s 2023-2024 season, pairing beloved classics with investigations into modern masterpieces. So ge…
P.S. I Love You: Renée Fleming Sings Tchaikovsky's Eugene Onegin [not-audio_url] [/not-audio_url]

Duration: 51:13
Saying “I love you” for the first time takes courage, especially when you don’t know the response you'll get. But being open with your emotions and putting yourself out there can change you in unexpected ways. In Pyotr I…
To Be Or Not To Be: Dean's Hamlet [not-audio_url] [/not-audio_url]

Duration: 41:58
“To be or not to be, that is the question.” It’s hard to think of a more famous line from a more famous play. In this iconic speech from Shakespeare’s Hamlet, the troubled Danish prince asks whether this whole life thing…
Potion, Emotion, Devotion: Wagner's Tristan und Isolde [not-audio_url] [/not-audio_url]

Duration: 39:46
When we talk about “falling in love,” we talk about it like it is something that just happens. Suddenly the ground opens up and we are falling for somebody, as if there is no choice in the matter. This is everywhere -- i…
Blanchard's Fire Shut Up in My Bones: A Boy of Peculiar Grace [not-audio_url] [/not-audio_url]

Duration: 42:45
This week we’re decoding with the man who wrote the code - Terence Blanchard, composer of Fire Shut Up in My Bones. Not only is it the work that reopened the Met after its 18-month pandemic shutdown, but it’s also the fi…
Verdi's Nabucco: By the Rivers of Babylon [not-audio_url] [/not-audio_url]

Duration: 44:16
Psalm 137 depicts the ancient Hebrews, enslaved and weeping “by the rivers of Babylon,” as they remember their homeland, Jerusalem. Those words have inspired songwriters of reggae, Broadway, disco, folk and more, but one…
Once More Into the Breeches: Joyce DiDonato Sings Strauss [not-audio_url] [/not-audio_url]

Duration: 32:38
The young Composer in Strauss’s Ariadne auf Naxos is one of opera’s great trouser roles -- a female singer playing the part of a young man. He is set to premiere his new opera at the home of the richest man in Vienna, on…
Breaking Mad: Donizetti's Lucia di Lammermoor [not-audio_url] [/not-audio_url]

Duration: 1:04:20
People who go to see Gaetano Donizetti’s Lucia di Lammermoor spend the entire evening waiting for the famous Mad Scene, to hear the soprano’s incredible acrobatics, and to feel her intense emotional changes over the cour…
Crisis in the Kremlin: Mussorgsky's Boris Godunov [not-audio_url] [/not-audio_url]

Duration: 33:57
Perhaps no opera better reflects the questions and contradictions at the heart of Russian history than Modest Mussorgsky’s historical epic Boris Godunov. Based on the play by Alexander Pushkin (considered by many to be o…
Only the Good Die Young: Verdi's La Traviata [not-audio_url] [/not-audio_url]

Duration: 37:39
One of opera’s great heroines is based on one of history’s extraordinary women. The 19th century French courtesan Marie Duplessis was elegant, successful, famous, and gone before her time, dying of tuberculosis at the ag…