110 - What does a Radio Comedy Producer actually do?

110 - What does a Radio Comedy Producer actually do?

Author: UberDuo Podcast Network May 15, 2017 Duration: 1:25:56
Have you ever wondered what a Comedy producer actually does? Ed Morrish has been responsible for producing a plethora of amazing shows - mostly on Radio 4 - and you’ll have heard his name on the credits of such shows as John Finnemore’s souvenir programme, The remake of the missing episodes of Hancocks Half Hour, Spats, Lemn Sissay’s Homecoming, The Now Show, The News Quiz, Newsjack, Welcome To Our Village, Please Invade Carefully, Dilemma….the list goes on… and…its a very star studded list of awesomeness…isn’t it?

We find out why writing your project is akin to dealing with meconium….yes….really….and discover what fun can be had with live foley, just how many female comedy commissioners we have had recently, how Ed’s mum (MAYSHERESTINPEACE) (We’re Pratchett fans…this is respectful) realised that a producer ‘doesn’t actually DO anything’, top tips for what to edit out of your work before you submit it, how cool it was to recreate the Hancock’s Half Hour scripts for aural consumption, where to send voice reels, is using music cheating and what fun games John Finnemore uses to warm up his audience.

We can’t WAIT for you to hear this and hope it inspires you to get submitting some awesome comedy to a suitable Producer of your choice soon….

Ed can be found on

www.edmorrish.com

The BBC has a wealth of information about all of the programmes listed on their website http://www.bbc.co.uk/


The Writers Room is a FANTASTIC resource for information and scripts and blogs and writing opportunities….I’m on it daily….http://www.bbc.co.uk/writersroom/
THEIR COMEDY SCRIPT ROOM IS OPEN FOR SUBMISSIONS UNTIL 15 MAY - QUICK - GET TOIT! http://www.bbc.co.uk/writersroom/opportunities/scri

For anyone who has ever been captivated by a story told only through sound and wondered, "How do they do that?"-this is for you. The Audio Drama Production Podcast, from the UberDuo Podcast Network, is a deep, practical dive into the craft of building worlds with audio. It moves beyond simple advice to explore the entire process of bringing fictional narratives to life in your ears. Each episode tackles the specific, often unspoken challenges of writing for the ear, directing voice actors, designing immersive soundscapes, and weaving it all together in the edit. You'll hear about the technical choices behind convincing ambiance and the narrative techniques that make characters feel present in the room. Whether you're a writer curious about scripting without visuals, a producer figuring out remote recording sessions, or a creator wondering how to distribute your finished work, this podcast serves as a constant workshop. It’s a resource for making any form of audio fiction-call it a radio play, an audio drama, or a fiction podcast-focusing on the tangible skills and creative problem-solving required from initial idea to final master. The discussions are grounded in real production experience, offering a clear path through the complexities of this unique storytelling medium.
Author: Language: English Episodes: 97

Audio Drama Production Podcast
Podcast Episodes
Background Conversations & Walla [not-audio_url] [/not-audio_url]

Duration: 22:50
Background conversations are an opportunity to subtly fill your story with bits and pieces of information, as unnamed characters chat amongst the dips in your main dialogue. Master this art and you can further reduce the…
Voice Acting & Visual Impairment [not-audio_url] [/not-audio_url]

Duration: 28:44
The fantastic Tanja Milojevic joins us for a chat about voice acting, visual impairment, and more. Tanja has her own Audio Drama series, LightningBolt Theater of the Mind, and has also starred in countless other Audio Dr…
What does your world sound like? [not-audio_url] [/not-audio_url]

Duration: 39:08
When you write or build a scene in your story, you are visualising a living, breathing world in your head. Is it your job then to try and recreate the most “authentic” representation of this for your listener?Is it also…
Audio Drama identity & discoverability. Doing live shows [not-audio_url] [/not-audio_url]

Duration: 55:37
On this episode, Sound Stages Radio’s Sibby Wieland joins us for a chat. Sibby has carried out a lot of great work in the Audio Drama community over the years, and most recently organised a panel to discuss the medium at…
Release Schedules. Crowdfunding [not-audio_url] [/not-audio_url]

Duration: 47:32
The big news in Audio Drama this week was the funding of We’re Alive: Lockdown on Kickstarter. They raised nearly $5000 over their $50,000 target with over 1000 listeners pledging money to ensure that the project will go…
Composing Music for Audio Drama [not-audio_url] [/not-audio_url]

Duration: 51:30
The music you use can make or break your production, so it’s about time we talked about it on the podcast. On this episode, a household name in Audio Drama – the legendary Kevin MacLeod of incompetech.com – joins us to c…
Creating interactive audio fiction, & fantasy character accents [not-audio_url] [/not-audio_url]

Duration: 1:05:18
If you want to build a business, earn a bit of extra pocket money, or even just get creative and have fun with audio fiction, there are other ways to do so outside of the traditional podcasting method.Our guests on this…
What makes an audio story? [not-audio_url] [/not-audio_url]

Duration: 30:34
The Sonic Society‘s Jack Ward returns to the show, looking to break down and analyse the nuts and bolts of what makes up an audio story, and what forms that story can take. The segment features clips from Gate, The Champ…
Should I make a serial or anthology audio drama series? [not-audio_url] [/not-audio_url]

Duration: 48:11
The dilemma faced by all audio drama creators at some stage is whether they should make a serialised story, or an anthology series.Here we give examples of two of our favourite serial dramas, Edict Zero FIS, and We’re Al…