Using the New Canon R1 & R5 Mark II

Using the New Canon R1 & R5 Mark II

Author: Steve Brazill August 29, 2024 Duration: 1:29:36

I’m a Canon shooter… I shoot an R6 and an R5. So, I have been curious about the new Canon R1, and a little less so about the R5 Mark II. Still, I had written off watching the announcement, because it was at something like 3am my time… but, I happened to be up anyway so I watched it, and I ended up with some serious opinions on both the new gear and the presentation itself.

There’s no question these cameras are in demand, even though the R5 Mark II retails for $4,300 and the R1 for a whopping $6,300. The R5 Mark II is already backordered to early Sept, and B&H says the Release Date for the R1 is estimated as Nov 26th.

Very few people have had the chance to try out the R5 Mark II and R1, and those that have didn’t get much time with them. A few photographers were given pre-release bodies to use at the Olympics, and luckily for us one of them is a friend of the show.

I knew Jeff was going to be using the R5 Mark II and R1 at the Paris Olympics, it was semi-public knowledge, so before he left I asked if he would come back on the show to give us his thoughts. He agreed to do a recap, and so today we will dive into his experiences under the real world pressure of photographing the Olympics for Team USA.

Jeff has been on the show a few times before. First for the episode Capture the Action, and then to talk about his experiences at the Tokyo Olympics for the show on Real World Use of the Canon R3.

On the chance that you didn’t see either of those shows, let me introduce you to my friend Jeff Cable…

Photographing the Olympics has got to be the pinnacle of a sports photographer’s career, and for Jeff Cable it’s one he’s reached many times, having now photographed the last 8 Olympics for Team USA.

I am always amazed by how many photographers either come from, or are in some way involved with, the tech industry. For more than 25 years, Jeff was a marketing executive at companies like Symantec, Magellan, and Micron, but while traveling the world for his corporate job, his interest and passion for photography grew quickly. He left the corporate world in 2016 to dedicate himself full-time to his photography.

Since then, Jeff has earned respect around the globe for his creative images, and for sharing his love of photography with others. He’s best known for capturing photos for the US Olympic Committee, photographing the last eight Olympic games, in Beijing, Vancouver, London, Sochi, Rio de Janeiro, PyeongChang, Tokyo, and Paris.

As an educator, Jeff also leads photo tours where he teaches photo enthusiasts and professionals around the world. He has taught in Africa, Australia, China, Europe, Central and South America, and across the United States, and has upcoming tours, through 2024 and 2025, to San Francisco, Laos, Cambodia and Vietnam, Tanzania (African Safari), Japan, Botswana, and Alaska.

Join me in welcoming Sports and Event Photographer Jeff Cable back to the show, as we talk about his real world experience at this year’s Paris Olympics with a pre-production Canon EOS R1 and pre-production R5 Mark II, on this episode of Behind the Shot.

CORRECTION: Thanks to Mike in the YouTube comments for pointing out that I was incorrect when I referred to the R5 II as having cross-type AF. The R1 does, but the R5 II does not. Sorry about the mistake.

How Did the Canon R1, Canon R5 MKII and new lenses REALLY do at the Olympics?

Jeff’s Real World Review of the Canon R1 & R5 Mark II: blog.jeffcable.com

Connect with Jeff

Website: jeffcable.com
Blog: blog.jeffcable.com
Instagram: @jeffcablephotography
Facebook: @jeffcablephoto
X / Twitter: @jcable12
YouTube: @jcable1234

Jeff’s Photographer Picks

Chris McLennan: chrismclennanphotography.com | @chris_mclennan1
Ian MacNicol: ianmacnicol.com | @ian_macnicol


Steve Brazill hosts Behind the Shot-Video, a series that goes far beyond gear lists and camera settings. Each conversation is a deep exploration of the creative and technical journey behind compelling images. You’ll hear working photographers unpack the entire process-from the initial spark of an idea and the challenges of the location to the critical decisions made in post-production. This podcast sits at the unique intersection of art and practical technology, offering tangible lessons for anyone looking to improve their visual storytelling. Rather than abstract theory, these discussions provide a real-world look at problem-solving under pressure and the artistic choices that define a signature style. Tune in for honest, detailed breakdowns that reveal how memorable shots are truly built, layer by layer. It’s an essential resource for visual artists seeking both inspiration and actionable knowledge, all grounded in the lived experience of accomplished creators.
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