BPS 196: The Good, Bad and Ugly of the Film Biz with Adam White

BPS 196: The Good, Bad and Ugly of the Film Biz with Adam White

Author: Bulletproof Screenwriting May 11, 2022 Duration: 59:18
Today on the show we go through the good, the bad and the ugly of being an indie filmmakers. On the show we have filmmaker Adam White. 

We discuss the making of his new film Funny Thing About. We discuss financing, casting, how he got Jon Heder (Napoleon Dynamite) to say yes to a supporting role in a romcom, shooting an ensemble cast during the pandemic, how we were filming the movie without having all of the funding in hand, securing distribution and much more. It's a pretty insane story.

Samantha Banks is a successful business with a handsome fiancee. But over one crazy Thanksgiving Holiday with her scheming family, her whole world is thrown into a tailspin when they invite her ex-boyfriend, "the one that got away."

We also discuss how he financed his first feature Inspired Guns and when that was a box office flop he lost everything including his house. It took seven years for him to bounce back and make another feature.

The last thing Elder Fisher expects when he and his brand new companion, Elder Johnson, hit the streets of New York is a couple of seemingly golden prospects. But dimwitted brothers Roger and Larry, low-level Mafioso, think the two Mormon missionaries who approach them have been sent by the “Boss” to deliver their next assignment.

So the brothers are willing to listen to anything the young men in dark suits have to say—including a message of salvation—even if Elder Johnson is the most overconfident and underprepared missionary to ever attempt to preach the word of God. Soon the witless brothers are searching through the Book of Mormon in a quest to find a hidden message.

But as the missionaries and Roger and Larry continue to meet for discussions, both the mafia and the FBI have their sights set on Elders Fisher and Johnson. The mob thinks the missionaries are FBI; and the FBI believes the young men are hitmen on a mission—and both groups want the elders out of the picture. The Elders come to realize they must rely on each other to survive this case of mistaken identity.

Enjoy my conversation with Adam White.

Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Ever find yourself staring at a blank page, wondering how the stories you love actually got made? Bulletproof Screenwriting™ Podcast digs into that process with the people who live it. Each week, we sit down for honest, detailed conversations that pull back the curtain on the craft and business of telling stories for the screen. You’ll hear from Oscar® and Emmy® award-winning writers, not just about their triumphs, but about the drafts that failed and the specific problems they had to solve. We also talk with best-selling authors who have adapted their work, seasoned Hollywood agents and managers who know what sells, and various industry insiders who provide a clear-eyed view of how things really work. This isn't about abstract theory or motivational fluff. It's a practical resource built on real experience, covering every aspect of the screenwriting process from that initial spark of an idea to navigating the complexities of the marketplace. The goal is straightforward: to provide you with actionable insights and straight talk that can strengthen your work and clarify your path forward. Whether you're just starting out or have a few scripts under your belt, this podcast offers a grounded perspective on the journey, one concrete discussion at a time. Tune in for a dose of reality and craft from those who have been in the trenches and emerged with stories to tell.
Author: Language: English Episodes: 500

Bulletproof Screenwriting™ Podcast
Podcast Episodes
BPS 473: Why Moving to L.A Might Ruin Your Film Career with Will Ball [not-audio_url] [/not-audio_url]

Duration: 1:22:49
In this episode, Will Ball—talent agent and founder of a new agency—breaks down the harsh realities of the film and acting industry that most aspiring filmmakers never hear. From the oversaturated market in Los Angeles t…