#68: May 1st 1980 – The Ken Of The Eighventies

The latest episode of the podcast which asks; have any of Chart Music ever had to deal with a Hard Lovin’ Woman?

As listeners to the World’s Greatest Podcast About Middle-Aged Hacks Banging On About Old Episodes Of Top Of The Pops, you’ll be fully aware of the general consensus on Nineteen Eighty, Pop-Crazed Youngsters; that it was the trough between the stratospheric peaks of ’79 and ’81. But in this episode, the case for the defence is comprehensively laid out, and if you’re here for the coat-downs, you’re going to be disappointed, because this episode is a bit SKILL.

We’re on the cusp of the Great Pop Famine of 1980 – which cost us six issues of NME and MM each and nine portions of our Favourite Thursday Evening Fizzy Pop Treat – and into the final month of the reign of Robin Nash. But although he’s on his way out, he’s already attempted to drag the show into the Aydeez by raiding the petty cash till for a new set – including a gun tower – and giving a debut cap to the Vicar of Rock himself, a 39 year-old Tommy Vance, who immediately puts himself about and makes a good account of himself, with one or two exceptions.

Musicwise, it’s a broad and diverse spread of 1980 fare. Leon Haywood gives the youth some timely advice about pegging. New Musik finally get their moment on Chart Music. There’s a chance to see American Pipou on Soul Train. The Chords represent the Mod Revival by disguising themselves as Generation X, before we’re hit by a megablast of Dadisfaction broadcast live from Bodie and Doyle’s living room. Then it’s a one-two-three punch of RRRROCKK from Whitesnake, Saxon and Motörhead, interrupted by Errol Brown’s mashed potato-mountain of a single, an obligatory dollop of the Nolans, another chance for us to drool over the Beat, Kate Bush being a clingfilm foetus, and a thrilling Number One where the Kids get hit in the face with a holdall, which they deserve for being so sullen and bovine.

Simon Price and Neil Kulkarni join Al Needham for a rampage through the middle of the Eighventies, and the tangents come thick and fast, including the correct way to modify a Harrington, the Nagasaki Hellblaster, Skinhead Discos, which living room accoutrements would make the best weapons against a home invasion of Street Punks, how Sham 69 got their name, tales of Machete Max, was Lemmy the Father Seamus Fitzpatrick of Metal, and the introduction of The BPT. SWEARING!

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