Elbee Bad - Decisive Podcast Special

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee, 30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music. From childhood to late in teenage years L.B. was playing the drums. Most time playing with one band consisting mainly of 2 sets of brothers. Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove. Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path. There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'. Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!! The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow. Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts. Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system. & that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties. The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties. Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeli(continued)