Herbert Kretzmer

Herbert Kretzmer

Author: BBC Radio 4 October 12, 2003 Duration: 33:55

This week Sue Lawley's castaway is the journalist and songwriter Herbert Kretzmer. Born in South Africa in 1925, he came to Europe after World War II. For a while he lived in Paris, playing piano in a bar. He rubbed shoulders with Jean Paul Sartre and became friends with one of France's greatest singer-songwriters Charles Aznavour. The two formed a musical partnership and Kretzmer re-worked many of his songs into English - including the hits Yesterday, When I Was Young and She, which was more recently recorded by Elvis Costello for the film Notting Hill.

His day job was as a journalist and Kretzmer wrote celebrity profiles for the Daily Express. He says his most memorable interviewees were "writers and fighters", including George Foreman, Muhammad Ali, Truman Capote and Arthur Miller. But it wasn't until he was nearly sixty that he had his greatest success. The director Cameron Mackintosh was working on Les Miserables but did not have a 'book' - that is, a set of songs that he could produce. He remembered a chance meeting he'd had with Kretzmer, recalled the songs he'd written and his connection with France - and invited him to write the lyrics. The show has been running in London for the past 19 years and has played all over the world. Now aged 78, he continues to work. He is currently collaborating with the former ABBA musicians, Benny Andersson and Bjorn Ulvaeus on another musical.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Gymnopedies by Yikin Seow Book: The Great War and Modern Memory by Prof Paul Fussell Luxury: Zippo Lighter


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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