Philip Pullman

Philip Pullman

Author: BBC Radio 4 October 6, 2002 Duration: 37:00

Philip Pullman is the author of the celebrated His Dark Materials trilogy: Northern Lights, The Subtle Knife and The Amber Spyglass. He was born in Norwich and spent his early years travelling all over the world with his father, who was in the RAF, and his mother and brother. Whilst in Australia he devoured comic book stories, which made a big contrast to the traditional stories his clergyman grandfather would tell him on return trips to Norwich. Philip planned to be a writer from the age of six and, when the family moved to Wales when he was 11, he developed a real passion for stories, encouraged by a school teacher to read more and write them down. Philip went to study English at Oxford, although he says it was really after he finished his degree that he started to learn. He began his first novel the day he left and although he says "it was terrible" he didn't give up. He worked in a variety of jobs to enable him to write and eventually went into teaching. He developed his writing style further by writing school plays and dealing with the challenge of making them accessible to both the children and the parents: it was an ideal training ground.

Philip has since written many books for children: Clockwork, I was a Rat! (which was dramatised for BBC television), and The Firework-Maker's Daughter, which won the Smarties Gold Award in 1996 and the Sally Lockhart Award. The His Dark Materials trilogy has become a huge success with children and adults, and, on 22nd January 2002, Philip won the Whitbread Prize for the third book in the trilogy, The Amber Spyglass. This was the first time that a children's book had won either the Booker or the Whitbread.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Sonata Reminiscenza in A Minor by Nickolay Medtner Book: A La Recherche Du Temps Perdu by Marcel Proust Luxury: A Jar of Apricots, by Chardin


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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