Sinead Cusack

Sinead Cusack

Author: BBC Radio 4 December 15, 2002 Duration: 35:04

Sinead Cusack was born in Ireland into a acting dynasty. Her first ambition, whilst at convent school, was to be a saint. But her behaviour didn't match her early aspiration: as a teenager she was nearly expelled from school for dramatising the Profumo affair for the headmistress's feast day. Her first professional part was at the age of eleven when her father, the actor Cyril Cusack, cast her in an adaptation of Kafka's The Trial at the Olympia Theatre in Dublin. She played a deaf mute - she says perhaps he did it to keep her quiet, because he wasn't keen for her to pursue acting and said she would never be a classical actress.

Sinead's first roles were at the Abbey Theatre in Dublin, whilst she was still at university. She came to London, where she took over from a pregnant Judi Dench in London Assurance in 1975. She joined the Royal Shakespeare Company which, she says, taught her all she knows. For Our Lady of Sligo (1998), in which Sinead played the lead role of Mai O Hara and showed in Ireland, on Broadway and at the National, she received the 1998 Evening Standard Award for Best Actress and 1998 Critics Drama Award for Best Actress. She was also nominated for Best Actress/Drama Desk Award and for Best Actress for Olivier Award.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Pie Jesu from Faure's Requiem by Gabriel Fauré Book: Collected plays by Anton Chekhov Luxury: A big hat with a lot of muslin


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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