Sir Trevor Nunn

Sir Trevor Nunn

Author: BBC Radio 4 January 26, 2003 Duration: 38:10

Sue Lawley's castaway this week is the theatre director Trevor Nunn. At the age of five Trevor had decided, to the great surprise of his parents, that he wanted to be an actor. He won his first part at the age of 13 when a local company needed a child actor. But his plans to act fell by the wayside when he realised there was such a job as directing after he directed a school revue at age 16, a role he took initially because he "had the loudest voice". After winning a scholarship to attend Cambridge University, Trevor took up an English degree and involved himself in various drama groups. In 1962 he won an ABC director's scholarship to the Belgrade Theatre Coventry. After two years his old Cambridge acquaintance Peter Hall had come and seen one of his performances and asked him to join him at Royal Shakespeare Company.

Trevor worked alongside Peter Hall for four years until he took over as Artistic Director. He was the youngest person ever to do so at the tender age of 27. He has said "It was paralyzing, I reckoned I had just about learned how to run a rehearsal at the point where I took over the company". But he stayed there for a successful 18 years. In 1996 Trevor joined the National Theatre as artistic director and by February 2000 he had won 9 Olivier awards for the National, including best director.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: The Ode to Joy (Symphony No 9) by Ludwig van Beethoven Book: The complete works by Charles Dickens Luxury: A photo of his wife and all of his children


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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