Timothy Spall

Timothy Spall

Author: BBC Radio 4 September 22, 2002 Duration: 33:32

Timothy Spall grew up in Battersea, South London. He found school pretty uninspiring and left with art as his only qualification. However, when he played the part of the Cowardly Lion in the school production of The Wizard of Oz, aged 16, he felt he had found his niche. He says "it had a good big audience and they just laughed, and when I came out to do my bow they gave me a big cheer. Something went off in my head then." He had a natural talent, and soon found a place at RADA. Within a year he was snapped up by the Royal Shakespeare Company, where he played key roles such as Andre in Chekhov's The Three Sisters, a role which he was amazed to take over from Ian McKellan. It was a huge learning period and the critics weren't going to cut him any slack just because he was straight out of drama school. He says, "you're up there playing with the big boys so you learn pretty quick!"

His first TV part was as the Brummie builder, Barry, in Auf Weidersehen Pet in 1983 and he has had many TV roles since: Our Mutual Friend and Vacuuming Completely Nude in Paradise both earned him Best Actor nominations at the Baftas. His role in the Mike Leigh's Secrets and Lies won him critical acclaim, as well as two best actor nominations, at the Baftas and at the London Film Critic Circle. He has also been sought by Hollywood, recently appearing in the blockbuster Vanilla Sky. He won best actor at Prix d'Italia and Cinema Tout Ecran awards for the television drama Shooting the Past and was awarded the OBE in 2000.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Mary's Prayer by Danny Wilson Book: The Pickwick Papers by Charles Dickens Luxury: A drum kit


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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