U A Fanthorpe

U A Fanthorpe

Author: BBC Radio 4 May 9, 2004 Duration: 37:06

Sue Lawley's castaway this week is one of Britain's best loved poets - U A Fanthorpe. She was the first woman ever to be nominated for the post of Oxford Professor of Poetry and in 2003 was awarded the Queen's Gold Medal for Poetry. But she found her vocation late in life. She trained as a teacher and was head of the English department at Cheltenham Ladies College when she says she felt her life was in crisis and became a 'middle aged drop-out'. Against the advice of her family and to the surprise of many friends, she quit teaching to become a temporary clerical worker. She took a job as a clerk in a hospital for neuro-psychiatric patients and, within days, knew that she had to write about what she saw - to bear witness to what the patients were experiencing. Her first collection of poems, Side Effects, was published in 1978 when U A Fanthorpe was 49.

Since then she has written many more volumes. Her poems use a great deal of humour and a lot of dialogue. In addition to her work about patients and hospitals, much of her writing is concerned with war and its effects on children on the nature of Englishness and the British character.

During the interview, U A Fanthorpe reads extracts from the following poems: 'The List' taken from Selected Poems, and 'Atlas' from Safe As Houses.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Come Away With Fellow Sailors by Henry Purcell Book: A book to identify birdlife on the island Luxury: Bath with soap and towels


The Desert Island Discs: Archive 2000-2005 podcast opens a unique window into a pivotal era, drawing from the BBC Radio 4 archives. This isn't just a collection of interviews about music; it's a deeply personal exploration of life, ambition, and memory through the voices of the early 21st century. Each episode presents a guest from this period-be they an artist, a politician, a scientist, or an activist-facing the program's enduring and revealing premise: selecting the eight pieces of music they would take if stranded alone. The conversation that unfolds around these choices is where the magic happens. The host gently guides them from their selections into stories of childhood influences, career-defining moments, personal triumphs, and profound losses. You'll hear the crackle of a vinyl record lead into a confession, or a symphony cue a tale of resilience. Listening to this podcast feels like uncovering a time capsule of cultural and emotional history, where a pop song can explain a political stance and a classical adagio can frame a love story. It’s an intimate study of character and a testament to how the soundtrack of our lives shapes our identity. These archived conversations, preserved in this podcast, remain compelling because they bypass the superficial, using music as the key to unlock genuine human experience.
Author: Language: English Episodes: 100

Desert Island Discs: Archive 2000-2005
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