Holly Edwards: 'There's obviously something political about presenting trans characters'

Holly Edwards: 'There's obviously something political about presenting trans characters'

Author: Fictionable May 9, 2026 Duration: 17:16


Diana Evans, Bruna Martini and Joel Cox have already joined us on this Spring series of podcasts, and next time we'll be hearing from Takiguchi Yūshō and the translator Jesse Kirkwood. But this time we welcome Holly Edwards.


The country comes calling in her short story Little Lamb, Who Made Thee? But Edwards has always lived in the city, so she doesn't have a store of memories to draw on.


"What I have is – from very much an urbanite's perspective – an obsession with what it must be like to live in the countryside," she says, "ever since I was a child. And as part of that I have watched hours of shows like This Farming Life and River Cottage."


The story follows Rose as she reconnects with her roots, the author continues, with much of the detail taken from those sessions. "I'm often eating my dinner while watching people lambing on telly."


For Edwards, the comfortable rural life portrayed in TV documentaries is altered by viewing it through the queer lens.


"I don't consciously set out to queer a story," she says, "but that's how I perceive the world and so I'll often have queer characters or queer perspectives in my stories."


Queerness is inherent in Little Lamb, Who Made Thee? with the tension between Rose and her father coming from his discomfort with her transition, Edwards explains, but she didn't want to write a "battle cry".


"There's obviously something political about presenting trans characters and trans lives," she says, "I think that's inescapable." There's something inherently political about presenting all sorts of queer lives, she adds, "but it wasn't my intention when writing it".


Rose's father may have started out as the bad guy, Edwards says, but she knew from the start that it wasn't that simple.


"As a queer writer, I do feel a responsibility to portray the complexities and the intricacies and the beauty of queer lives. Fiction definitely has an important role in helping people across the spectrum understand each other."


We'll be exploring the convolutions of memory next time with Takiguchi Yūshō and the translator Jesse Kirkwood.


Hosted on Acast. See acast.com/privacy for more information.


Fictionable is a space for those drawn to the compact power of short stories and the vivid narratives of graphic fiction. Each episode delves into the craft and culture surrounding these forms, featuring conversations with the writers and artists themselves. We explore the techniques behind compelling brevity, the unique challenges of visual storytelling, and the diverse literary scenes influencing work today. The discussion often extends to broader book chat, examining how these shorter pieces fit into the wider landscape of reading and creativity. It’s a podcast built for curious readers who find entire worlds in a few pages or panels, offering a behind-the-scenes look at the stories published in the Fictionable collection. You’ll hear about inspiration, process, and the personal connections that fuel these works, all sourced from a global community of creators. The aim is to deepen appreciation for the art form while celebrating the voices shaping it. This isn’t just analysis; it’s an invitation into the ongoing conversation between author, artist, and audience. Join us for a thoughtful and engaging exploration of narrative in its most concentrated and visually dynamic forms.
Author: Language: English Episodes: 63

Fictionable
Podcast Episodes
Bruna Martini: 'I have spent too many months without drawing' [not-audio_url] [/not-audio_url]

Duration: 25:36
This Spring series of podcasts began with Diana Evans, who took us back to the 1990s. We'll be hearing from Takiguchi Yūshō and the translator Jesse Kirkwood, Holly Edwards and Joel Cox over the next few weeks. But for t…
Diana Evans: 'Writing is an act of hope' [not-audio_url] [/not-audio_url]

Duration: 19:58
Spring is here and so is Fictionable, with another set of exclusive short stories and another series of podcasts where we meet our fantastic authors. During the next few weeks we'll be hearing from Takiguchi Yūshō and th…
Cynthia Banham: 'Writing is a dangerous act' [not-audio_url] [/not-audio_url]

Duration: 26:23
In this Winter series we've already welcomed Cynthia Zarin, Rodrigo Urquiola Flores and the translator Shaina Brassard, Tim Conley and Samuel Rigg. We bring down the curtain with Cynthia Banham and her short story Swimmi…
Samuel Rigg: 'Often I find I'm writing about people who are not me' [not-audio_url] [/not-audio_url]

Duration: 14:51
After hearing from Cynthia Zarin, Rodrigo Urquiola Flores and the translator Shaina Brassard, and Tim Conley, this Winter series of podcasts enters the final stretch. We'll be rounding off with Cynthia Banham next time,…
Tim Conley: 'Short fiction is a lot more liberating' [not-audio_url] [/not-audio_url]

Duration: 19:51
We've already heard from Cynthia Zarin, Rodrigo Urquiola Flores and the translator Shaina Brassard in this Winter series – we'll be welcoming Cynthia Banham and Samuel Rigg on to the podcast over the next few weeks. But…
Rodrigo Urquiola Flores: 'Everything in this short story is true' [not-audio_url] [/not-audio_url]

Duration: 23:19
We began this Winter series of podcasts with Cynthia Zarin, who suggested that every single one of us is torn in different ways. We'll be examining those cracks with Tim Conley, Cynthia Banham and Samuel Rigg over the ne…
Cynthia Zarin: 'You write out of the world that you're living in' [not-audio_url] [/not-audio_url]

Duration: 31:25
It's cold, it's wet, it's January. Time for another series of exclusive short stories and another series of podcasts. Over the next few weeks, we’ll be hearing from Rodrigo Urquiola Flores and his translator Shaina Brass…