How fast is Morse code?

How fast is Morse code?

Author: Onno (VK6FLAB) August 5, 2023 Duration: 7:03
Foundations of Amateur Radio

The first official telegram to pass between two continents was a letter of congratulations from Queen Victoria of the United Kingdom to President of the United States James Buchanan on 16 August 1858. The text is captured in the collection of the US Library of Congress. It's a low resolution image of a photo of a wood engraving. Based on me counting the characters, the text from the Queen to the President is about 650 characters. IEEE reports it as 98 words, where my count gives 103 words or 95 words, depending on how you count the address.

Due to a misunderstanding between the operators at either end of the 3,200 km long cable, the message took 16 hours to transmit and 67 minutes to repeat back. If you use the shortest duration, the effective speed is just over one and a half Words Per Minute or WPM. That's not fast in comparison with speeds we use today. Until 2003, the ITU expected that emergency and meteorological messages should not exceed 16 WPM, that a second class operator could achieve 20 WPM and a first class operator could achieve 25 WPM.

To put the message speed in context of the era, in 1856, RMS Persia, an iron paddle wheel steamship and at the time, the largest ship in the world, won the so-called "Blue Riband" for the fastest westbound transatlantic voyage between Liverpool and Sandy Hook. The journey took nine days, 16 hours and 16 minutes. Similarly, it wasn't until 1861 that a transcontinental telegraph was established across the United States. In 1841 it took 110 days for the news of the death in office of President William Henry Harrison to reach Los Angeles. Today that distance is covered by a 39 hour drive, a 5 hour flight, and about 12 milliseconds on HF radio.

So, while the speed of the message might not be anything to write home about today, at the time it was world changing.

Speed in Morse code is measured in a specific way. Based on International Morse code, which is what I'm using throughout this discussion, if you send the word "PARIS" a dozen times in a minute and the next time starts right on the next minute, you officially sent Morse at 12 WPM.

Looking inside the message of the word "PARIS", it's made up of a collection of dits and dahs. If a dit is one unit of time, then the letter "a", represented by dit-dah, is six units long when you include the spacing. In total, the word "PARIS", including the space after it, is exactly 50 units long. When you send at 12 WPM, you're effectively sending 600 dit units per minute, or ten units or bits per second, each lasting a tenth of a second.

Unfortunately, there is not a one-to-one relationship between Morse speed and ASCII, the American Standard Code for Information Interchange, for a number of reasons. Firstly, Morse is made from symbols with varying lengths, where ASCII, the encoding that we really want to compare speeds with, has symbols with a fixed length. You cannot simply count symbols in both and compare their speeds, since communication speed is about what you send, how fast you send it, and how readable it is at the other end.

Thanks to Aiden, AD8GM, who, inspired by my initial investigation, shared the idea and python code to encode Morse dits, dahs and spacing using a one for a dit, one-one-one for a dah, and zeros for spacing. This means that the letter "e" can be represented by "10" and the letter "t" by "1110".

You can do this for the standard Morse word "PARIS" and end up with a combination of 50 zeros and ones, or exactly 50 bits. I've been extending the code that Aiden wrote to include other encoding systems. When I have something to show it will be on my GitHub page.

However, using Aiden's idea, we gain the ability to directly compare sending Morse bits with ASCII bits, since they share the same zero and one encoding. If you use standard binary encoded ASCII, each letter takes up eight bits and the six characters for the word "PARIS", including the space, will take up 48 bits. Given that I just told you that the Morse version of the same message takes up 50 bits, you could now smile and say, see, ASCII is faster - wait, what?

Yes, if you send the word "PARIS " using 8-bit binary coded ASCII it's two bits shorter than if you use Morse. Job done, roll the press, headline reads: "Morse is four percent slower than binary coded ASCII".

Not so fast grasshopper.

If you recall, American Morse code, the one that has Samuel Morse's name written all over it, was replaced by a different code, made by Friedrich Gerke which in turn was modified to become what we now know as International Morse code.

Ask yourself, why did Gerke change the code? It turns out that one of the biggest issues with getting a message across an undersea cable was decoding the message at the other end. Let me give you an example, using American Morse, consider the encoding of "e", dit, and "o", dit-extra-space-dit and now try sending the word "seed" across a noisy line. Did you convey "seed", or was it "sod". In other words, there is room for ambiguity in the message and when you're talking about commerce, that's never a good basis for coming to a mutually binding agreement.

It turns out that encoding needs to be more subtle than just creating a sequence of bits.

Something else to consider, 10 bits per second is another way of saying 10 Hz, as-in, this is not just switching, we're dealing with frequencies and because we're not sending lovely sinusoidal waves, from a signal processing perspective, a very horrible square wave, we're also dealing with harmonics, lots of harmonics, and more of them as we speed things up.

So, if you send binary coded ASCII and compare it to Morse code, will your message actually arrive?

I'm Onno VK6FLAB


For anyone curious about the crackle of a distant voice emerging from the static or the thrill of making a contact across the globe using nothing but radio waves, Foundations of Amateur Radio offers a friendly, steady guide. Hosted by Onno (VK6FLAB) from Australia, this long-running podcast acts as a companion for newcomers navigating the initial, often overwhelming, steps into this vast hobby. Each episode deliberately unpacks a single facet of amateur radio, breaking down technical concepts, equipment, and operating practices into digestible pieces. You'll hear practical advice on how to get started, find your place within the global community, and discover which of the hobby's countless avenues-from building antennas to satellite communication or emergency service-might spark your passion. It’s not about dry theory; it’s about demystifying the process and sharing the genuine rewards that keep enthusiasts engaged for a lifetime. Having evolved from its earlier incarnation in 2011, this podcast builds from the ground up, week by week, creating a solid resource that grows with you. Tune in for a down-to-earth conversation that makes the airwaves feel a little more accessible and a lot more inviting.
Author: Language: English Episodes: 579

Foundations of Amateur Radio
Podcast Episodes
What's allowed on our bands? [not-audio_url] [/not-audio_url]

Duration: 5:20
Foundations of Amateur Radio Recently there was a discussion on social media about the legality of various types of transmissions. Before I get into the specifics, it's worth looking at some of the rules around this. I w…
Your Software Defined Radio around the home [not-audio_url] [/not-audio_url]

Duration: 4:57
Foundations of Amateur Radio What would you do if you found that at random times your garage door opener didn't work, or the Wi-Fi network dropped out, or you couldn't switch off a light with an RF controller? That's the…
The Software Defined Radio vs. Traditional Radio choice [not-audio_url] [/not-audio_url]

Duration: 3:47
Foundations of Amateur Radio For some time I've been explaining how some of the internal workings of a Software Defined Radio operate with a view to getting into the nitty gritty of the why and the how. This exploration…
The Regulator [not-audio_url] [/not-audio_url]

Duration: 4:32
Foundations of Amateur Radio From time to time our hobby changes. While the idea that we're all a bunch of old men playing with spark gap transmitters, or using strange noises to the annoyance of others, the reality of a…
From Milk to Direct Conversion in a Software Defined Radio [not-audio_url] [/not-audio_url]

Duration: 4:48
Foundations of Amateur Radio It seems my analogy with milk glasses hit a nerve when I explained some of the inner workings of a simple Analogue to Digital Converter, also known as an A/D Converter or ADC as part of my ex…
Milking Software Defined Radio [not-audio_url] [/not-audio_url]

Duration: 3:16
Foundations of Amateur Radio One of the unsung hero components of a Software Defined Radio is the A/D or Analogue to Digital converter. Its job is to convert the analogue signal that's coming in via the antenna into a di…
When digging gives you more understanding, the magic of software. [not-audio_url] [/not-audio_url]

Duration: 5:20
Foundations of Amateur Radio Today I'm going to go sideways to move forward. In amateur radio we consider circuits, components such as transistors, inductors, capacitors, crystals and how they're connected to each other.…
Software Defined Radio offers another path to the same information. [not-audio_url] [/not-audio_url]

Duration: 5:05
Foundations of Amateur Radio Over the past few weeks I've been describing how some of the fundamental concepts of software defined radio work and how some of these operate and interact with each other. You might think of…
Digital Origami in Software Defined Radio [not-audio_url] [/not-audio_url]

Duration: 4:31
Foundations of Amateur Radio As a quick recap of what I've discussed before, a Software Defined Radio is a tool that essentially measures the voltage at the base of an antenna system and sends that to a computer for proc…
SDR: How many colours inside a Software Defined Radio? [not-audio_url] [/not-audio_url]

Duration: 6:39
Foundations of Amateur Radio If you were asked to make an image of the Sydney harbour bridge and only use four dots, the viewer might struggle to determine what was the bridge, the sky, the water and the Sydney Opera Hou…