Making Some Noise At BIGSOUND With GRECCO ROMANK

Making Some Noise At BIGSOUND With GRECCO ROMANK

Author: HEAVY Magazine August 13, 2025 Duration: 14:33
BIGSOUND can be anything you want it to be. You can choose to revel in the activities and workshops, or check out the band showcase gigs or watch/see/listen to any number of things, but the one thing that catches HEAVY every year is the range of live bands out there plying their trade.
This year's BIGSOUND, to be held in the usual areas of Brisbane's Fortitude Valley over September 2 to 5, features more than 120 bands playing across 18 stages so it looks like we are going to have our work cut out for us.
But getting to know the bands a little better beforehand always helps, so today we chat with one of the emerging bands from New Zealand heading this way for BIGSOUND, Grecco Romank.
Described as offering dysfunctional music - the kind played in your uncle's garage rave while he's in the middle of a hellish k-hole after being dismissed from his drop-shipping office - in a world increasingly obsessed with the exact opposite, Grecco Romank are a breath of fresh air on a scene that is often weighed down too much in its own self-importance.
But just to make sure the band are the genuine article, HEAVY sat down to chat with two of the three members, Billie Fee (classical soprano, vocals) and Damian Golfinopoulos (samples, synths and more), to find out just how interestingly different Grecco Romank really are.
"I've listened to every single one," Damian replied when we mentioned the number of bands playing at BIGSOUND. "It's gonna be a good year, I'm excited."
We ask Damian what bands stood out most after listening to them, not at all hoping to catch him out.
"Spike Fuck, UGLi, Mumfighter, Shock Corridor," he quipped without missing a beat.
Maybe they are the real deal... We ask how well prepared the band is for what will be a hectic few days in Australia.
"We've definitely we've got a bit of homework to do on trying to plan our days and make sure everyone gets to see what they want to see," Billie smiled. "We're also bringing our manager, so he can go do a lot of that stuff on our behalf (laughs)."
In the full interview, we further discuss Grecco Romank's upcoming performance at BigSound 2025 in Brisbane, where Damian and Billie shared insights about their band, which has been active for five years and has released three albums, primarily performing in Auckland. They described their music as a fusion of electronic elements and operatic vocals, emphasizing their goal of delivering an engaging live experience. The band is eager to connect with new audiences and fellow artists at the festival, and they plan to participate in workshops and networking events.
They also mentioned an unofficial show at the Junk Bar and a subsequent gig in Melbourne. Additionally, they provided details about their acclaimed third album, Arts Colony, highlighting its collaborative nature, the inclusion of a 330-page art book, and a secret version accessible via a code in the book and more.


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Dive straight into the raw, unfiltered conversations happening behind the amplifiers and drum kits. HEAVY Music Interviews, straight from the team at HEAVY Magazine, pulls you backstage and into the green room for genuine talks with the most compelling voices in rock, punk, metal, and the wider heavy music landscape. This isn't about polished press releases; it's where artists open up about the craft of a crushing riff, the stories behind an iconic album, and the realities of life on the road. Each episode delivers a new perspective, whether it's a legendary frontman reflecting on decades of noise or a breakthrough band explaining their explosive sound. You'll hear the passion and personality that fuels the music, directly from the musicians creating it. For anyone who lives for the energy of a heavy track and wants to know the people behind it, this podcast serves as a regular, essential connection. Tune in for authentic discussions that go far beyond the surface, keeping you directly plugged into the heart of the scene.
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