Interview by Kris Peters
REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension - out May 8 via Black Lodge - delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals.
Formed in 2016 in Småland, Sweden, REXORIA quickly evolved into something distinct within the metal landscape, embarking on their first European tour only months after releasing their first EP. Unbound by traditional genre definitions, the band blends heavy metal, power metal, symphonic, cinematic and electronic influences into a unified sound, driven by Frida Ohlin’s distinctive voice; powerful, raspy and deeply emotional.
Rexoria's fourth studio album, Fallen Dimension is the successor to the acclaimed Imperial Dawn, taking a bold and focused step forward. Fallen Dimension spans a wide emotional and thematic spectrum, from social commentary and war‑driven narratives to heartfelt power ballads and uplifting, hook‑laden anthems. It is an album built on atmosphere, intensity, and the unmistakable REXORIA spirit.
HEAVY caught up with vocalist Frida and guitarist Jonas to find out more.
"This one is a little bit more based on the guitar riffs," Jonas replied when we ask how Fallen Dimension differs to Imperial Dawn musically. "It's a little bit darker. Still, of course, we have the melody in our songs and the catchy choruses and so on, but it's more balanced between the keyboard and the guitars. So it's a little bit more of heavy metal riffs here and there, blended with the keyboard. And I think also the backing vocals are bit more more powerful. Frida has a lot of grit in her voice and she is challenging herself a lot in the studio. I think you can hear that on the album."
In the full interview, Frida and Jonas expressed mixed excitement and nerves about the impending release date. They described a shift toward heavier guitar riffs and darker tones while retaining melodic choruses and stronger backing vocals, framing the overall style as “Royal Metal” to convey unity, empowerment, and a blend of power, symphonic, and heavy elements.
Discussion moved to writing and sequencing choices, explaining how they get the balance of styles and influences right in the creative process. We spoke about album opener, Metallic Rage, and how tempo and arrangement changes converted a last-written riff into the starting track and an added wartime-style intro. The Fallen Dimension title was explained as reflecting societal themes with a hint of hope, while guest vocal contributions from Johnny Gioeli and Mike Andersson were discussed and more.
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