The Bridge: Slate Music Club 2024

The Bridge: Slate Music Club 2024

Author: Slate Podcasts December 27, 2024 Duration: 35:12
Hit Parade | Music History and Music Trivia
Music

The Slate Music Club is back, in a special edition of Hit Parade – “The Bridge”! Our year-end panel of critics—NPR Music’s Ann Powers, Hearing Things’ Julianne Escobedo Shepherd, Slate’s own Carl Wilson and Hit Parade host Chris Molanphy—discuss their favorite albums and singles and the trends that shaped the year in pop, rap, country, Latin and global music. 


Among the questions the roundtable tackles: Have we reached peak Taylor Swift? Did the Kendrick Lamar–v.-Drake beef overshadow hip-hop’s next generation? How much further will country cross over to pop audiences—and how does Latin music fit in? How did music from diverse artists stand in for protest music in 2024? And what will become of music criticism itself?


Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus!


Podcast production by Kevin Bendis.

Hosted on Acast. See acast.com/privacy for more information.


What makes a song a smash? Talent? Luck? Timing? All that—and more. Chris Molanphy, pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts and shaped your memories forever. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on...
Author: Language: English Episodes: 100

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Hit Parade | Music History and Music Trivia
Podcast Episodes
Shake It Like a Polaroid Picture Edition Part 1 [not-audio_url] [/not-audio_url]

Duration: 48:00
Talk about ’90s rap, and most music fans will throw around the word “gangsta” and talk about the East Coast–West Coast feud that tragically brought down Biggie and Tupac. But one rap group, OutKast, quite literally rose…
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Duration: 44:07
What do Lenny Kravitz, a hitmaker primarily in the ’90s and ’00s, and Bruno Mars, a 2010s–20s hitmaker, have in common? It turns out, a lot: Each man has a wide-ranging ethnic and musical background, with early exposure…
Lenny on Mars Edition Part 1 [not-audio_url] [/not-audio_url]

Duration: 59:18
What do Lenny Kravitz, a hitmaker primarily in the ’90s and ’00s, and Bruno Mars, a 2010s–20s hitmaker, have in common? It turns out, a lot: Each man has a wide-ranging ethnic and musical background, with early exposure…
Yes We Can Can Edition Part 2 [not-audio_url] [/not-audio_url]

Duration: 37:22
Today, the Pointer Sisters are mostly remembered for their flurry of ’80s hits, especially the “Excited” one about losing control and liking it. But their musical history is far more varied: jazz standards? Civil rights–…
Yes We Can Can Edition Part 1 [not-audio_url] [/not-audio_url]

Duration: 47:34
Today, the Pointer Sisters are mostly remembered for their flurry of ’80s hits, especially the “Excited” one about losing control and liking it. But their musical history is far more varied: jazz standards? Civil rights–…
Champagne Supernova Edition Part 2 [not-audio_url] [/not-audio_url]

Duration: 54:53
In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They…
Champagne Supernova Edition Part 1 [not-audio_url] [/not-audio_url]

Duration: 1:04:17
In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They…
The British Are Charting Edition Part 2 [not-audio_url] [/not-audio_url]

Duration: 50:58
Before 1964, British bands couldn’t get anywhere on the U.S. charts. Then suddenly, after a certain Fab Four broke, they were everywhere. By 1965, they had locked down our Top 10.In 1981, a new generation of U.K. acts ar…
The British Are Charting Edition Part 1 [not-audio_url] [/not-audio_url]

Duration: 1:05:41
Before 1964, British bands couldn’t get anywhere on the U.S. charts. Then suddenly, after a certain Fab Four broke, they were everywhere. By 1965, they had locked down our Top 10.In 1981, a new generation of U.K. acts ar…
Raise Your Glass Edition Part 2 [not-audio_url] [/not-audio_url]

Duration: 34:24
Alecia Moore was so fearless, they put an exclamation point in her name. Pink—a.k.a. P!nk—was full of bravado from the moment she broke at the turn of the millennium, singing a frothy style of teen pop&B. She was promote…

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