His House Review

His House Review

Author: Horror Movie Talk: Horror Movie Review December 2, 2020 Duration: 1:53:35

Where did Remi Weekes come from, and why is he out of the gate, such an amazing horror director? That is the first question I have for this film. His House has instantly become one of my favorite horror movies. That may seem like hyperbole, but I have legit not seen anything like this film, and have rarely felt the same amount of emotion while watching a horror movie.

His House Ghost illustration by Horror Movie Talk
@dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website.
https://youtu.be/DYY0QJhlXjc

His House can be found only on Netflix.

Synopsis

Two Sudanese refugees Rial (Wunmi Mosaku) and Bol (Sope Dirisu) arrive in the UK after a perilous journey. After a stay in a detention center, they are granted asylum and a new place to live, which they are assured isn’t just a shit hole, it’s a palatial shithole.

They are given a set of rules that all refugees are given to maintain their status, that being, they are only to live off the meager wage the gov’t provides and not seek employment, and to definitely not move away from their apartment.

The couple who have definitely seen some shit… start seeing shit in the apartment. Soon it is apparent that there is an evil force preying on them.

His House movie poster

Review of His House

Without hyperbole, this is one of the best horror movies I have ever seen. I’m reminded of my experience with Hereditary, where I asked myself, “How is this director so good on his first film and where did he come from?”.

The main difference between Hereditary and this film, is that I don’t think I’ve ever seen a horror movie like His House before. Sure, at its core, it is a haunted house movie, but the aesthetic and subject material are uniquely new to me.

The best horror movies in my opinion are those that have a human core, that focus on character and relationships while drawing a line to real horrors that people experience every day. Rosemary’s Baby uses the fear of the unknown and social pressure during pregnancy.

The Exorcist uses the terror of having an undiagnosable, severely sick child. The Shining uses Jack Nicolson. In this film, it uses the lived experiences of refugees of war torn countries and the trauma associated with it.

This is exactly the type of storytelling that the horror genre excels at. It amplifies real human emotions and fears to the level of overload, resulting in a uniquely empathetic experience.

I’m very excited to talk about this movie, and also excited to see what Remi Weekes, the director will do next. 

Score

10/10

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There's a particular kind of conversation that happens after the credits roll on a scary movie, when you're dissecting the jump scares and debating the monster's motives. Horror Movie Talk captures that exact feeling, serving up weekly discussions that are as much about the genuine love of the genre as they are about critique. Hosted by a team whose passion is palpable, this podcast delves into everything from the latest chilling release haunting theaters to those hidden gems-or notorious flops-you can find on streaming services. The analysis is sharp and deeply opinionated, but the chemistry between the hosts often leads the conversation into unexpectedly funny territory. It’s this blend of thoughtful review and spontaneous humor that defines the show. You'll hear passionate debates about cinematic technique, nods to classic influences, and honest reactions to whether a film truly delivers the scares. Tuning in each Wednesday feels like pulling up a chair with friends who’ve just seen the same movie, armed with strong opinions and a willingness to laugh at the absurdities that make horror so enduring. For anyone who lives for that post-viewing breakdown, this is a consistently engaging listen.
Author: Language: English Episodes: 464

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