We went and saw Us, and while it was an incredibly solid horror movie, it did not live up to the hype. Yes, it had good social commentary and implications. Yes, it is by one of the most respected (if only because of his single debut horror movie, Get Out) writers, directors out there, Jordan Peele. Yes, it starred an all-black cast. It’s hard to follow something like Get Out with something even more impressive, and that’s the only sin that Us committed.
Us Overview
At its core, Us is a home invasion horror movie. Us is also a smart critique on America today, both politically, and socioeconomically. Even more, it’s a fun, and at times, funny movie that everyone can probably appreciate.
https://youtu.be/1tzFRIQfwXg
One of the many things that Us has going for it? It’s a conversation starter.
My Score
7/10
While it’s
all the things I described above, it’s not particularly impressive in any
stand-out way. It’s a solid movie that people will talk about, but it’s just
not THAT thrilling. I was fairly bored during about ⅓ of this movie, and a lot
of that was while the cat and mouse game between these two mirror families was
playing out. It is an intricate, well-crafted film, with an eye on symbolism and obvious deep meaning. It
just didn’t entertain me like I hoped it would.
Us begins in 1986 on the Santa Cruz boardwalk, with young Adelaide having a fun time with her parents. At some point, she wanders off and discovers a House of Mysteries below the boardwalk, which is where she first comes into contact with her tethered-self.
https://youtu.be/Adlemia_V7o
The international trailer
This intro is nearly perfect in the way it builds tension and sets
the atmosphere. I was enthralled immediately. The beach at night is a very
scary place, and I think he captured that
feeling quite well.
Adelaide is deeply traumatized and stops talking following this
event for some time.
Fast forward to the present day, and Adelaide (Lupita Nyong’o) is driving with her family to their vacation house near Santa Cruz. Adelaide is nervous about returning to the scene of the crime that caused her so much agony as a child.
The family has a few strange run-ins at the beach and a small scare. From here they meet up with their friends, the Tylers (Tim Heidecker and Elizabeth Moss). I can’t take Tim Heidecker seriously, for me, this is a miss-cast role, but to be fair, for most it’s probably a high point in the movie.
https://www.youtube.com/watch?v=Jyn6g6JFkIY
Say No, no to the purple scare no no’s. One of the many reasons I can’t take Tim Heidecker seriously. Yes, these are real commercials for real mattresses.
Her husband (Winston Duke) believes that she is overreacting when she starts having panics about the safety of her family, and the area in general. When they are getting ready to go to bed that night, the action ramps up when they see a family standing in their driveway.
Check Out Our Puppet Master: The Littlest Reich Review
There is a lot of chasing and being chased in Us, which is the least fun part for me. There weren’t very many genuinely disturbing moments, there were few scares, and overall the middle of the movie felt very soft compared to what it could have been.
Thinking back on Get Out, it wasn’t a movie that went over-the-top with scares, it did what Us did, created ambiance, and mood quite well.
Us is well cast and acted, every single character was compelling and made the movie better except Tim Heidecker, whom, as I said, I just can’t take seriously.
https://youtu.be/fa7f-Q-Bq9Q
Jordan Peele’s Rotten Tomatoes interview on Us
So, when we meet the tethered people
or the doppelgängers, the Adelaide tethered tells the story of who they are and
how they came to be.
The happy middle-class
family that is the Wilson’s has an inverse family of tethered people who are forced to live underground and have lives
that are the inverse of their above-ground counterparts.
The doppelgänger family lives in a place where suffering and
cruelty is normal. This family has the last name Red. They hate their
above-ground counterparts for obvious reasons
and have decided to take their lives.
Us had a wonderful, original score, that reminds the audience that choral music and analog sounds do produce the creepiest vibe.
https://youtu.be/WFGmO1e_sAU
Creep on it…
At the end, it is revealed that the underground copy of
Adelaide kidnapped and swapped places with the above-ground girl in 1986. This insinuates that
“We are them and they are us.” It’s the environment that makes the person.
One thing I
noticed was that none of the Red family could talk except for Adelaide. No one
underground ever talked, so the ability to talk was
mostly lost in Adelaide who was forced
underground. This also explains the
supposed PTSD issue following the events of the 1986 boardwalk.
Us Pays Homage to Peele’s Inspiration
Lot’s of
tributes are being paid in Us. Some of
the things I noticed were:
Well, there are a lot of different ways people can an will
interpret this movie, it was made to be interpreted
a number of different ways. Here was my immediate takeaway impressions of Us.
The Bible verse that continuously appears in the film (Jeremiah 11:11) reads:
Therefore thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them.
Keep this in mind while interpreting the movie.
There is an obvious socioeconomic suggestion going on in Us – an analogy of class.
Young Adelaide – or is it?
I couldn’t
shake that this was an obvious criticism of an America who voted for Trump:
The “evil” people were called Red.
There is a fear of invaders, of people foreign to us whom we may believe are below us.
There is a point in the movie where they reference hands across America, which seems like a direct Mexico wall reference — joining together to unite in building a wall.
The suggestion that we don’t know who we are, we are a nation divided, half of us would like very much to ignore the other half, and that goes both ways.
Also, following the twist ending the very real, “we are whom we hate” suggesting that those who think they are innocent are just as guilty.
All of this
spoke very loudly to me about the state of America under Trump, today. Almost
like a “Shame on you, America.”
Anyone who enjoys a movie with a deeply well thought out meaning, or symbolism
will be able to latch onto something within this movie that will spawn lots of
interesting conversations. If you enjoy home invasion horror, this is a must
see, although it’s not the best, it’s quite good. The trailer ruined this movie
quite a bit for me. Most of the action in this movie just felt like the
trailer+.
There's a particular kind of conversation that happens after the credits roll on a scary movie, when you're dissecting the jump scares and debating the monster's motives. Horror Movie Talk captures that exact feeling, serving up weekly discussions that are as much about the genuine love of the genre as they are about critique. Hosted by a team whose passion is palpable, this podcast delves into everything from the latest chilling release haunting theaters to those hidden gems-or notorious flops-you can find on streaming services. The analysis is sharp and deeply opinionated, but the chemistry between the hosts often leads the conversation into unexpectedly funny territory. It’s this blend of thoughtful review and spontaneous humor that defines the show. You'll hear passionate debates about cinematic technique, nods to classic influences, and honest reactions to whether a film truly delivers the scares. Tuning in each Wednesday feels like pulling up a chair with friends who’ve just seen the same movie, armed with strong opinions and a willingness to laugh at the absurdities that make horror so enduring. For anyone who lives for that post-viewing breakdown, this is a consistently engaging listen.
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