PAUL SUN-HYUNG LEE + GABRIELLE DROLET

On the Saturday July 12, 2025 edition of The Richard Crouse Show we’ll meet Paul Sun-Hyung Lee. You know the Canadian Screen Award winner as family patriarch Appa on “Kim’s Convenience,” and as Inspector Albert Choi, the new head of Station House No 4, on “Murdoch Mysteries” and as Captain Carson Teva on the Star War series “The Mandalorian,” “The Book of Boba Fett” and “Ahsoka.” We’ll also meet a guest who began his career as a child actor, appearing in everything from “Back tio the Future II” to Internal Affairs opposite Richard Gere. He became an international star after playing Frodo Baggins in the acclaimed “Lord of the Rings” trilogy. He’s Elijah Wood, and his extensive filmography now includes “Bookworm,” an intriguing film about a 12-year-old named Mildred whose life is turned upside down when her mother lands in hospital and estranged, American magician father, Strawn Wise, played by Elijah Wood, comes to look after her. Hoping to entertain the bookish tween, Strawn takes Mildred camping in the notoriously rugged New Zealand wilderness, and the pair embark on the ultimate test of family bonding — a quest to find the mythological beast known as the Canterbury Panther. Then, we spend time with Gabrielle Drolet, a journalist, essayist, and cartoonist based in Montreal. She regularly contributes cartoons to The New Yorker and the Globe and Mail and is the first woman to receive a National Newspaper Award nomination for Editorial Cartooning. In 2020, she developed a condition that made her unable to use her hands. It only worsened over time, and as a writer and artist, she had to learn new ways of creating and expressing herself. She placed her first cartoon in The New Yorker—and then was unable to draw for a full year. She has since found ways around this using graphic design software, exercises, and many, many breaks, but the experience has completely changed her life. She writes about her experiences in her new book, “Look Ma, No Hands: A Chronic Pain Memoir,” an often funny but profound book on chronic pain, accessibility, and young adulthood.