Handel's Messiah

Handel's Messiah

Author: BBC Radio 4 May 7, 2026 Duration: 54:05

Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.

With

Donald Burrows Emeritus Professor of Music at the Open University

Ruth Smith Trustee and Council Member of the Handel Institute

And

Larry Zazzo Countertenor, and Senior Lecturer in Music at Newcastle University

Producer: Simon Tillotson

Reading list:

Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)

Donald Burrows, Messiah (Edition Peters, 1987)

Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991)

Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012)

George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020)

G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009)

G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974) Arthur Holroyd, Reassuring 18th-Century Protestants: The Librettist’s Intended Message for Handel’s ‘Messiah’ (Quacks Books, 2018)

Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024)

Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957)

Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992)

Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965)

Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989)

Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012)

Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)

Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010)

Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025)

In Our Time is a BBC Studios production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.


For anyone with a restless mind, the weekly In Our Time podcast from BBC Radio 4 offers a deep and engaging conversation across the vast terrain of human thought and experience. Host Misha Glenny guides a panel of distinguished academics, not in lecture format, but through a lively, accessible discussion where ideas genuinely collide and unfold. You might find yourself immersed in the complex legacy of a figure like Napoleon one week, and the next be untangling the scientific principles of photosynthesis or the philosophical arguments of the Enlightenment. The scope is deliberately broad, covering history, religion, culture, science, and philosophy, because understanding one often requires context from another. What you hear is the genuine process of exploration-the questions, the debates, and the connections made in real time by leading experts. It’s the kind of podcast that doesn’t just recount the Sack of Rome or the intricacies of Russian court politics, but examines why these moments mattered and how their echoes are still felt. The result is a consistently stimulating hour that treats listeners as curious equals, offering the intellectual satisfaction of following a great conversation to its illuminating conclusion.
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