M.C. Escher

M.C. Escher

Author: BBC Radio 4 May 14, 2026 Duration: 55:08

Misha Glenny and guests discuss the work of Maurits Cornelis Escher (1898-1972), the graphic artist and printmaker best known for his impossible buildings, paradoxical perspectives, and repeating geometric patterns. Born in Leeuwarden and trained as a printmaker, Escher visited the Alhambra in Granada and found inspiration in the tessellating shapes of Islamic art. Through his career he went on to create some of the most famous images of the twentieth century and has been called a one-man art movement. After his work was exhibited in a 1954 conference, Escher’s work also caught the eye of mathematicians who appreciated his intuitive geometric precision. Escher was influenced by their work, and they were influenced by his – despite Escher never thinking he was actually very good at maths himself.   With

Marcus du Sautoy Simonyi Professor for the Public Understanding of Science, Professor of Mathematics and Fellow of New College, University of Oxford   Sarah Hart Professor Emerita of Mathematics and Fellow of Birkbeck, University of London, and Fellow of Gresham College   And   Judith Kadee Exhibitions project manager and public programme curator at Hague Historical Museum   Producer: Martha Owen

Reading list:

Marcus du Sautoy, Blueprints: How Mathematics Shapes Creativity (Fourth Estate, 2025)

Marcus du Sautoy, Finding Moonshine: A Mathematician’s Journey Into Symmetry (Harper Perennial, 2009)

Bruno Ernst, The Magic Mirror of M.C. Escher (Taschen, 2007)

M.C. Escher, M.C. Escher: The Graphic Work (Taschen America Llc, 1992)

Miranda Fellows, The Life and Works of Escher (Siena,1996)

Frederico Giudiceandrea, Escher op reis or Escher’s Journey (Publisher Wbooks, 2018, in Dutch)

Sarah Hart, Once Upon a Prime: The Wondrous Connections Between Mathematics and Literature (Flatiron Books, 2023)

Douglas Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid (first published 1979; Basic Books, 1999)

Siobhan Roberts, King of Infinite Space: Donald Coxeter, The Man Who Saved Geometry (Profile Books, 2007)

Claudio Salsi, Paolo Branca and Claudio Bartocci (eds.), M.C. Escher. Tra arte e scienza. Catalogo della mostra (24 Ore Cultura, 2025, in Italian)

Doris Schattschneider, “The Mathematical Side of M.C. Escher” (Notices of the American Mathematical Society, Vol. 57, 6, 2010)

Doris Schattschneider, M.C. Escher: Visions of Symmetry (Thames and Hudson Ltd, 2004)

Wouter van Reek, Nadir & Zenith in the World of Escher (Leopold, 2019)

In Our Time is a BBC Studios production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.


For anyone with a restless mind, the weekly In Our Time podcast from BBC Radio 4 offers a deep and engaging conversation across the vast terrain of human thought and experience. Host Misha Glenny guides a panel of distinguished academics, not in lecture format, but through a lively, accessible discussion where ideas genuinely collide and unfold. You might find yourself immersed in the complex legacy of a figure like Napoleon one week, and the next be untangling the scientific principles of photosynthesis or the philosophical arguments of the Enlightenment. The scope is deliberately broad, covering history, religion, culture, science, and philosophy, because understanding one often requires context from another. What you hear is the genuine process of exploration-the questions, the debates, and the connections made in real time by leading experts. It’s the kind of podcast that doesn’t just recount the Sack of Rome or the intricacies of Russian court politics, but examines why these moments mattered and how their echoes are still felt. The result is a consistently stimulating hour that treats listeners as curious equals, offering the intellectual satisfaction of following a great conversation to its illuminating conclusion.
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