A Satirist's Revenge on Wall Street: From Trading Hedge Funds to Telling Stories
It’s the fantasy of countless Wall Street analysts. Amran Gowani traded his lucrative career in hedge funds for the scarily solitary world of novel writing. His debut satirical novel Leverage draws from his insider experience at investment banks and hedge funds, exposing the toxic culture and perverse incentives that drive corporate America's financial sector. In this bracingly frank conversation, Gowani confesses his transformation from organic chemistry PhD dropout to pharmaceutical marketing executive to Wall Street analyst, and finally to full-time novelist. He reveals the harsh economic realities of publishing fiction, the challenges of first-time novel writing, and how he channeled his corporate experiences into satirizing the very system that employed him.
1. Publishing Economics vs. Wall Street Profits "The money I made in the mid 2010s on my Wall Street Bank dwarfs the money I made on the advance I got for my novel and that's and I actually got a pretty good advance... You don't write novels because you want money or at least you shouldn't if you're looking for money."
2. Structural Problems Drive Toxic Behavior "When you run companies and you tell people that the only thing that matters in your company as shareholder value. Then people are gonna do everything they can to maximize shareholder value... When you create perverse incentives, I mean, you're gonna get perverse outcomes."
3. Writing as Processing and Understanding "I wrote my book and I write in general because I think it helps me process the world around me. It helps me understand the world round me... that's my way of processing the world and and communicating ideas that I think are important using the the satirical framework."
4. Modern Authors Must Be Marketers "I don't think that you can just be like, I'm going to sit it out. I'm not going to be on social media. I'm Not going to have a newsletter, and just be like, I'm just going to write a great book, and I'm going to get found. Like, I don't think that's really viable anymore."
5. AI Won't Replace Human Storytelling "Nobody wants to read, no serious reader wants to read a novel written by a computer... It's not a person, it's not a living entity behind the words, no matter how realistic they might seem... when you're looking to connect it like a human experience... people wanna read a book written by basically a linear regression machine."
No, not everyone can or will be Michael Lewis. But Gowani should be applauded for both his bravery and honesty. We should all wish him the best of luck with Leverage.
This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Why Our Fear of Technology Is Nothing New—And Why That Should Give Us Hope: From Cuckoo Clocks to ChatGPT
Not Even God Can Judge Tupac Shakur: How a White Suburban Sportswriter Found the Humanity and Tragedy Behind Hip-Hop’s Most Misunderstood Star
Fighting to Tell the Truth: Why every Film about War is an Anti-War Film
Between the River and the Sea: American Jews and the Soiling of the Zionist Dream
The Vinci Code: How AI is Turning Everyone into James Bond
Huawei vs Ericsson: How Huawei Turned Sweden's "Neutral" Tech Advantage Into a Cold War Liability
How Smart is the MAGA Intelligentsia? The Professors, Philosophers, and Trolls who Transformed Rage into a Winning Political Ideology
This Is Not a Browser—Did René Magritte Really Predict the End of the Web Age?
The Panic of the Intellectuals: From Ezra Pound to the Trumpagies of Today
How to Choke Your Enemy: Why America Turned the World Economy into its Weapon of Global Domination
All Religions Are Absurd Because We Are Absurd: How the Internet is Creating the First New Form of Religious Community in 250,000 Years
Why the Real Road to Serfdom Runs Through Silicon Valley: Tim Wu on the Extractive Economics of Platform Capitalism
Are We Still Fighting the Hundred Years War? Why Joan of Arc, Agincourt, and the Black Death Aren't Quite Dead