Khatt Chronicles in Conversation with Golnar Adili

Huda Smitshuijzen AbiFarès interviews Iranian-American visual artist Golnar Adili on her journey from architecture to teaching and practicing visual arts. They discuss her work that transgresses borders and definition and how she uses the Perso-Arabic script and language as material for artistic exploration. Golnar talks about her love for science and art and how architecture brought these two passions together. She also discusses her first research trip to Tehran to investigate (free)inside/(controlled)outside spaces and what these notions represent in that particular cultural context, which was her starting point into becoming an artist. The research is concluded with a book of photographs entitled: "Tehran, A Landscape of Compressed Freedoms." Through the discussion, they unpack the relation between her work, her personal family history and experiences of living in diaspora, and her work as an artist and designer. They further explore these concepts in her other projects delving into her collage techniques and books arts projects. Golnar explains how her heart-language, Persian, plays a central role in her work, taking lyrical Persian poetry and making it contemporary through the design of the letterforms and the use of material. She discusses how gender has informed her work and how it compelled her to express small intimate stories of women (in her family) in her work. In her work she formally manipulates physical and visual material to convey emotions going by the Persian saying: "What comes from the heart, sits on the heart." The conversation is concluded with a brief talk about her teaching at both the Parsons School of Design (with college students) on one hand and children middle-schoolers on the other, and how her teaching assignments relate to her own work and explorations: straddling two and three dimensions, and exploring materials and techniques of image-making.