On Learning to Dissect Fetal Pigs by Renée Nicole Good

On Learning to Dissect Fetal Pigs by Renée Nicole Good

Author: Maggie Devers January 8, 2026 Duration: 3:42

On Learning to Dissect Fetal Pigs

Renée Nicole Good

This poem was awarded the Academy of American Poets Prize in 2020.

i want back my rocking chairs,


solipsist sunsets,

& coastal jungle sounds that are tercets from cicadas and pentameter from the hairy legs of cockroaches.

i’ve donated bibles to thrift stores

(mashed them in plastic trash bags with an acidic himalayan salt lamp—

the post-baptism bibles, the ones plucked from street corners from the meaty hands of zealots, the dumbed-down, easy-to-read, parasitic kind):

remember more the slick rubber smell of high gloss biology textbook pictures; they burned the hairs inside my nostrils,

& salt & ink that rubbed off on my palms.

under clippings of the moon at two forty five AM I study&repeat

ribosome

endoplasmic—

lactic acid

stamen


at the IHOP on the corner of powers and stetson hills—


i repeated & scribbled until it picked its way & stagnated somewhere i can’t point to anymore, maybe my gut—

maybe there in-between my pancreas & large intestine is the piddly brook of my soul.


it’s the ruler by which i reduce all things now; hard-edged & splintering from knowledge that used to sit, a cloth against fevered forehead.

can i let them both be? this fickle faith and this college science that heckles from the back of the classroom



now i can’t believe—

that the bible and qur’an and bhagavad gita are sliding long hairs behind my ear like mom used to & exhaling from their mouths “make room for wonder”

all my understanding dribbles down the chin onto the chest & is summarized as:

life is merely

to ovum and sperm

and where those two meet

and how often and how well

and what dies there.

Mentioned in this episode:

Write After: National Poetry Month with One Poem Only

Write After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.

#WriteAfterOPO


Each day, One Poem Only offers a brief, deliberate pause. Hosted by Maggie Devers, this podcast is built on a simple, consistent premise: a single poem, read aloud, without analysis or introduction. It’s an audio space where the words themselves are the event, a performance meant to be absorbed in the few minutes it takes to hear it. The daily rhythm of the show creates a quiet ritual, a point of reflection woven into a busy life. You might hear a classic sonnet, a piece of modern free verse, or a work from a poet you’ve never encountered. The selection is varied, touching on themes from the natural world to the intricacies of human emotion, always leaving room for your own interpretation. The effect is cumulative; listening regularly becomes a subtle form of education in the sound and scope of poetry, and a small act of self-care. This isn't a lecture or a book club, but a performing art delivered directly to your ears. Maggie’s clear, thoughtful readings provide the only framework needed, allowing each poem to stand entirely on its own. The curtain falls, and the moment passes, but the podcast invites you to return tomorrow when a new piece takes center stage, offering another quiet moment, one poem only.
Author: Language: English Episodes: 355

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