OPERAWISE: GRAND OPERA

OPERAWISE: GRAND OPERA

Author: Seattle Opera March 25, 2020 Duration: 14:58

In this series of podcasts, Seattle Opera Dramaturg Jonathan Dean gives listeners a taste of nine different types of traditional opera. Grand opera developed in the mid-19th century and centered on performances at the Opéra in Paris. The roots of the genre stretch back to the opulent court of France's Sun King, Louis XIV, and continue to influence how opera is presented to this day. Verdi's Aida (1871) is probably the world's favorite grand opera (although it's not necessarily a textbook example of the genre, since it wasn't written for the Opéra, is sung in Italian, and is briefer and more straightforward than most grand operas). Another beloved masterpiece is Wagner's Tannhäuser (1845), a work retro-fitted in 1861 for performance at the Opéra.

Musical examples on the podcast drawn from recordings of Verdi's Don Carlos (first entrance of Philip II), Vienna Staatsoper performance conducted by Bertrand De Billy, (Premiere Opera Ltd. 2004); "Le divertissement royal – Danse de Neptune" from Lully: l'Orchestre du Roi Soleil, Le Concert des Nations led by Jordi Savall (Alia Vox Spain 1999); Don Carlos (conclusion), soloists, chorus, and orchestra of La Scala conducted by Claudio Abbado (Deutsche Gramophon, 1984); Seattle Opera's 2018 Aida, starring Alexandra LoBianco, David Pomeroy, Elena Gabouri, chorus and orchestra of Seattle Opera conducted by John Fiore; and Tannhäuser (Venusberg Ballet), Staatskapelle Berlin conducted by Daniel Barenboim (Teldec 2002).


Ever wondered how a grand opera production comes together, or what it feels like to stand in the wings just before the curtain rises? The Seattle Opera Podcast pulls back the velvet curtain on this intricate world. From the company that has been a cornerstone of the Pacific Northwest arts scene since 1963, this series offers a genuine backstage pass. You’ll hear directly from the singers, conductors, directors, and designers who bring these powerful stories to life, discussing everything from vocal technique and set construction to the emotional core of a character. Episodes might delve into a beloved European classic one week and a groundbreaking new American work the next, reflecting the company’s dynamic repertoire. This isn't just a lecture about music and drama; it's an immersive audio experience where you can listen to artists explain their craft, hear snippets of rehearsals, and gain a deeper appreciation for opera as a living, collaborative art form. Tune in to this podcast for conversations that are as passionate and detailed as the productions themselves, all brought to you directly from the heart of Seattle's opera community.
Author: Language: English Episodes: 100

Seattle Opera Podcast
Podcast Episodes
2022/23 Season Announcement with Christina Scheppelmann [not-audio_url] [/not-audio_url]

Duration: 21:07
General Director Christina Scheppelmann announces Seattle Opera's 2022/23 season, including the great singers who will be coming to Seattle and an exciting lineup of operas: Donizetti's Elixir of Love, Wagner's Tristan u…
ORPHEUS & EURYDICE: A Lesson on Love, Loss, and Letting Go [not-audio_url] [/not-audio_url]

Duration: 1:11:24
This conversation (recorded live, December 16, 2021) featured ORPHEUS & EURYDICE stage director Chía Patiño, choreographer Donald Byrd, and conductor Stephen Stubbs. The inspiration for the earliest operas, as well as nu…
STEPHEN STUBBS discusses Gluck [not-audio_url] [/not-audio_url]

Duration: 17:08
Stephen Stubbs, conductor of Seattle Opera's upcoming ORFEO ED EURIDICE, by Gluck, joined us last year for an intermission chat when we rebroadcast Gluck's IPHIGÉNIE EN TAURIDE. A native Seattleite, student (and professo…
BACKSTAGE at LA BOHÈME [not-audio_url] [/not-audio_url]

Duration: 23:10
Opera is a big team effort. Every opera production puts hundreds of creative people to work, singing, playing instruments, acting, dancing, crafting and maneuvering sets, costumes, props, and lights and everything else.…
LA BOHÈME 101 [not-audio_url] [/not-audio_url]

Duration: 14:57
"Men die and governments change, but the songs of La bohème will live forever," wrote Thomas Alva Edison to Giacomo Puccini. Seattle Opera Dramaturg Jonathan Dean introduces La bohème, with musical examples from Seattle…
Loving Wagner, Hating Wagner...and the Middle Path [not-audio_url] [/not-audio_url]

Duration: 36:56
Seattle Opera Scholar-in-Residence Naomi André and Dramaturg Jonathan Dean discuss the most controversial of all opera composers, Richard Wagner, whose DIE WALKÜRE the company will present, in concert (and abridged) at F…
OF MICE AND MEN Intermission Chat with MELANIE ROSS [not-audio_url] [/not-audio_url]

Duration: 16:40
For KING FM's re-broadcast of Seattle Opera's 1976 OF MICE AND MEN, Dramaturg Jonathan Dean interviewed Melanie Ross about the early days of Seattle Opera and the work of her father, Seattle Opera founding General Direct…
[not-audio_url] [/not-audio_url]

Duration: 0:00
Stephen Wadsworth, a vital member of Seattle Opera's artistic family, discussed Handel's XERXES with Christina Scheppelmann for a radio re-broadcast in March 2021. Wadsworth, who made his debut directing Seattle Opera's…
COUNT ORY Discussion with Giacomo Sagripanti [not-audio_url] [/not-audio_url]

Duration: 12:39
Giacomo Sagripanti conducted Rossini's wicked French comedy, Count Ory, at Seattle Opera in 2016. He recently discussed this great work and Rossini with General Director Christina Scheppelmann.