Beethoven String Quartet, Op. 135

Beethoven String Quartet, Op. 135

Author: Joshua Weilerstein January 9, 2025 Duration: 57:42

There is nothing like hearing a Late Beethoven String Quartet for the first time. Beethoven's late string quartets, Op. 127, Op. 130, Op. 131, Op. 132, and Op. 135, are among the 5 greatest pieces of music ever written for any combination of instruments. They reach a kind of cosmic understanding of the world that is unparalleled, and they remain the Mount Everest of every string quartet's repertoire. The quartet we're going to be talking about today, Op. 135, is slightly the outlier from the set, in that it is less expansive, slightly less complex, and as Misha Amory from the Brentano String Quartet says, "it is the work of a composer who seems to have suddenly attained some new, simple truth after miles of struggle." Op. 135 is Beethoven's last completed work, and as this year begins, I thought I would check off number 2 of 5 Late Beethoven Quartets with this work that seems to exist on another plane of existence entirely. It is a piece of great depth and sadness, and also of ecstasy and lightness. It is a piece of great seriousness that is also full of a sense of humor that is rare in Beethoven. It contains one of the greatest slow movements ever written, a movement that would inspire one of Mahler's greatest symphonic movements, and it also features a zany and wild scherzo movement that could have been written two weeks ago. In short, Beethoven's Op. 135 has it all. Join us as we go through this masterpiece together!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
The Life and Music of Le Chevalier de Saint-Georges [not-audio_url] [/not-audio_url]

Duration: 46:20
Just a glance at a biography of Le Chevalier should have every movie producer salivating. He was the son of a 17 year old slave and her white owner. He was an expert athlete, known as the greatest fencer in all of France…
Bartok Violin Duos and Social Duoing [not-audio_url] [/not-audio_url]

Duration: 56:08
Bartok's 44 Violin Duos are a triumph of Bartok's devotion to the folk music of Eastern Europe. 42 of the 44 are based on field recordings Bartok collected in his travels, many of which you will hear today. The social du…
How Musical Revolutions Were Created, Part 2 - w/ Jan Swafford [not-audio_url] [/not-audio_url]

Duration: 48:15
Jan Swafford was such a fantastic guest last time that I thought we had to have him back on! During these past two weeks, we discussed how so much of the revolutionary music in the history of classical music was influenc…
Sibelius Symphony No. 7 [not-audio_url] [/not-audio_url]

Duration: 44:21
Sibelius' 7th Symphony is a piece that is barely a symphony at all, and yet it carries symphonic logic throughout. It's only 20 minutes long, in one movement that never stops evolving, with a form that has sparked many d…
How Musical Revolutions Were Created, Part 1 - w/Jan Swafford [not-audio_url] [/not-audio_url]

Duration: 39:17
Jan Swafford was such a fantastic guest last time that I thought we had to have him back on. This week(and next week), we discussed how so much of the revolutionary music in the history of classical music was influenced…
Respighi, "The Pines of Rome" [not-audio_url] [/not-audio_url]

Duration: 41:36
Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, w…
Mahler Symphony No. 2, Part 3 [not-audio_url] [/not-audio_url]

Duration: 55:49
At the end of 1893, Mahler could not find a way to end his 2nd Symphony. But the funeral of Hans Von Bulow, a conductor who Mahler worshipped even though Von Bulow hated Mahler's music, gave Mahler what he called "the fl…