Mahler Symphony No. 4, Part 1

Mahler Symphony No. 4, Part 1

Author: Joshua Weilerstein September 14, 2023 Duration: 51:49

After the truly heavenly slow movement of Mahler's 4th symphony, a soprano emerges and sings a song literally called "The Heavenly Life." It is a symphonic ending like no other, one that leaves the listener peaceful and contented after taking a long(but not as long as usual) and winding journey with Gustav Mahler and his 4th symphony. The 4th symphony is a symphony of moments, like the famous sleigh bells that begin the piece, and a symphony of long, massive, and momentous arcs, like in the timeless 3rd movement, which might be my single favorite movement of any Mahler symphony. But this symphony, so renowned for its contentedness and beauty also features complicated emotions, drama that clouds the blue skies, and a dark side that we never truly escape, perhaps not until the very end of the symphony. Mahler said that his symphony was "divinely serene, yet profoundly sad, it can only have you laughing and crying at the same time." What a perfect way to define Mahler's music, always full of dualisms, contradictions, ironies, and complexities, but that's what makes Mahler's music so irresistible; its ability to plumb the depths of not only the human spirit but also its psyche. Mahler's music is truly musical therapy, and if there's one of his symphonies that really exemplifies that, it's this fourth symphony. With all that said, this is also his simplest and most easily grasped symphony in terms of its purely musical content. I've gotten a lot of emails in the past from folks who are skeptical or confused about Mahler and his appeal, so if you're one of those people, than this symphony MIGHT just be the one that changes your mind. As always with Mahler, his symphonies get multi-part episodes, so this week I'll go through the first two movements of the symphony, from the sleigh bells and brilliant sunshine of the first movement, to the devilish and ironic second movement. We'll talk all about Mahler's brilliant orchestration, his use(and deliberate misuse) of form, the pure beauty of this music, and the oddly negative reception that this symphony got when it was first performed. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 100

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Schubert Sonata in B Flat, D. 960 (Part 2) [not-audio_url] [/not-audio_url]

Duration: 54:14
There are a few tropes when it comes to Schubert's late music. The pieces are very long. They have four movements. The first two movemnts are expansive, magisterial explorations of the human psyche, and the last two move…
Schubert Sonata in B Flat, D. 960 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 40:07
For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a hu…
Mozart Piano Concerto in D Minor, K. 466 [not-audio_url] [/not-audio_url]

Duration: 48:12
H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was "an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a…
What is a Mode? [not-audio_url] [/not-audio_url]

Duration: 44:37
My first interaction with the musical term modes was Leonard Bernstein's brilliant Young People's Concert, also called What is a Mode? In that show, Bernstein showed how modes are an essential part of what makes modern m…
Brahms Piano Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 1:03:25
In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, " "I have no judgment about this piece anymore, nor any control over it." Brahms first began sketching his first piano concerto i…
Fast, Furious, Fortissimo [not-audio_url] [/not-audio_url]

Duration: 46:31
Very often, when I tell people that I'm a classical musician, I am told, "wow, I love classical music! It's so relaxing!" I think almost all classical musicians have heard that before, and you know what? Sometimes, it's…
Copland Symphony No. 3 [not-audio_url] [/not-audio_url]

Duration: 1:01:02
There has always been a debate about "The Great American Symphony." By the time most prominent American composers got around to writing large scale symphonic works, the symphony had very nearly gone out of fashion. To ma…
An Exploration of Klezmer Music w/ Abigale Reisman [not-audio_url] [/not-audio_url]

Duration: 56:48
Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violin…
Schumann Symphony No. 3, "Rhenish" [not-audio_url] [/not-audio_url]

Duration: 54:36
In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist…
Beethoven String Quartet, Op. 59, No. 1 [not-audio_url] [/not-audio_url]

Duration: 58:38
In 1806, the 36 year old Beethoven received a commission from the Russian ambassador in Vienna, Count Andreas Razumovsky. Razumovsky wanted a set of string quartets for what would soon be his house string quartet which i…