Mahler Symphony No. 9, Part 3

Mahler Symphony No. 9, Part 3

Author: Joshua Weilerstein May 5, 2022 Duration: 36:28

It's easy to forget that Mahler, for all of his ubiquitous success nowadays, was much better known as a conductor during his life than as a composer.  He had basically one major success in his compositional career: a performance of his 8th symphony in Munich in 1910 that finally seemed to give him the approval he craved from the audience.  But for much of his compositional life, Mahler was misunderstood. His symphonies were either too long, too dense, too confusing, too esoteric, too vulgar, too banal, lacking in sophistication, or had too MUCH sophistication - the list goes on and on.  Mahler famously said in regards to his music that "my time will come" and it certainly has come, with regular performances of his music all around the world.  But as we discuss the third movement of Mahler's 9th symphony today, I want to keep reminding you that Mahler was really not a popular man.  Even as a conductor, he had bitter enemies that drove him out of his position as the Director of the Vienna Court Opera in 1907.  As a person, he could charitably be described as difficult, with moments of kindness followed by bouts of stony silence or fierce rages.  Mahler was a complicated man, and it's perhaps in this third movement that we can learn so much about this side of Mahler that doesn't get talked about as much - that bitter, sarcastic, nasty side of him that many choose to ignore, preferring to focus on the love and warmth that he instills into much of his music.  In the third movement of his 9th symphony, Mahler seems to be letting out some of his rage and anger at the Viennese public, concerned in his mind only with intrigue and gossip, and those critics who trafficked in open Anti-Semitism in order to bring him down from his lofty perch.  But amidst all of this, Mahler continually grasps for order throughout the movement, only to find it ripped away from him.  This is the shortest movement of Mahler's 9th symphony, but it is also the most dense.  So today, we'll talk about that bitter pill that is this movement, a movement that is nevertheless relentless in its search for beauty, form, and order. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Tchaikovsky Symphony No. 6 (Part 2) [not-audio_url] [/not-audio_url]

Duration: 48:23
In a letter to Tchaikovsky's nephew Vladimir Davydov, Tchaikovsky wrote: "I'm very pleased with its content, but dissatisfied, or rather not completely satisfied, with the instrumentation. For some reason it's not coming…
Tchaikovsky Symphony No. 6 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 50:44
The great and somewhat controversial conductor Leopold Stokowski said this about Tchaikovsky: "His musical utterance comes directly from the heart and is a spontaneous expression of his innermost feeling. It is as sincer…
Beethoven String Quartet, Op. 59, No.2 [not-audio_url] [/not-audio_url]

Duration: 56:56
I'm always tickled by composer trivia questions, like which standard canon works begin in a major key and end in a minor key? I'll give you one, but please comment others below: Mendelssohn's 4th Symphony. Well, how abou…
Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony [not-audio_url] [/not-audio_url]

Duration: 58:32
Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony,…
Zemlinsky: The Mermaid [not-audio_url] [/not-audio_url]

Duration: 1:01:32
The story of Alexander von Zemlinsky's The Mermaid begins with a passionate love affair and ends in heartbreak of the most unabashedly big-R Romantic kind. In 1900, the young, fabulously talented, and famously beautiful…
Pergolesi Stabat Mater [not-audio_url] [/not-audio_url]

Duration: 59:02
Many aspects of Giovanni Battista Pergolesi's life seem relatively normal when it comes to composers of the Baroque era. He was prolific, died young, and his music became very famous only after his death. However, all th…
Rachmaninoff Piano Concerto No. 2 [not-audio_url] [/not-audio_url]

Duration: 52:41
We humans seem to love comeback stories, and there is no comeback quite as compelling in the classical music world as Rachmaninoff's Second Piano Concerto. It was written three years after the disastrous premiere of his…
Handel Messiah w/ Aram Demirjian [not-audio_url] [/not-audio_url]

Duration: 1:09:11
A piece that I have been asked to cover probably a dozen times is Handel's Messiah. It's a piece I love, but a piece that I've never conducted or played, and so therefore I don't know it incredibly well. There are plenty…
Gustav Holst: The Planets [not-audio_url] [/not-audio_url]

Duration: 1:02:09
Mr. Holst, wherever you are, I apologize in advance for what I'm about to say. From my research, I know you resented this fact, but unfortunately, I think it's true. Here it is: despite the large catalogue of music Gusta…
Franck Symphony in D Minor [not-audio_url] [/not-audio_url]

Duration: 59:57
In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music househol…