Prokofiev Symphony No. 5

Prokofiev Symphony No. 5

Author: Joshua Weilerstein June 2, 2022 Duration: 1:03:05
It's very easy to compare Sergei Prokofiev to Dmitri Shostakovich.  They are the two most famous representatives of Soviet and Russian music of the 20th century, they lived around the same time, and their music even has some similarities, but at their core, you almost couldn't find more different people than Prokofiev and Shostakovich.  Shostakovich was neurotic, nervous, and timid.  Prokofiev was confident and cool.  Shostakovich was tortured by the Soviet government, and while Prokofiev certainly had his runins with Stalin and his crones , his life wasn't so inextricably linked to the Soviet Union, besides the fact that he had the bad luck to die on the same day as Joseph Stalin, which made it so that there were no flowers available for his funeral. Prokofiev was able to travel, and see the world, generally without nearly as much interference as Shostakovich faced.  These two lives are reflected in two very different musical approaches.  Shostakovich's wartime symphonies are full of terror and violence, whlie Prokofiev wrote that his 5th symphony was a hymn to the human spirit. We don't know how much that reflects his true feelings, but its undeniable that there is a certain "optimism" to this symphony that both thrills and unsettles listeners to this day. It is also filled with traademark Prokofiev cynicism and sarcasm, and so we are left, as always, with a contradiction. What did Prokofiev mean with this symphony? Join us as we try to find out!

There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Tchaikovsky Symphony No. 6 (Part 2) [not-audio_url] [/not-audio_url]

Duration: 48:23
In a letter to Tchaikovsky's nephew Vladimir Davydov, Tchaikovsky wrote: "I'm very pleased with its content, but dissatisfied, or rather not completely satisfied, with the instrumentation. For some reason it's not coming…
Tchaikovsky Symphony No. 6 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 50:44
The great and somewhat controversial conductor Leopold Stokowski said this about Tchaikovsky: "His musical utterance comes directly from the heart and is a spontaneous expression of his innermost feeling. It is as sincer…
Beethoven String Quartet, Op. 59, No.2 [not-audio_url] [/not-audio_url]

Duration: 56:56
I'm always tickled by composer trivia questions, like which standard canon works begin in a major key and end in a minor key? I'll give you one, but please comment others below: Mendelssohn's 4th Symphony. Well, how abou…
Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony [not-audio_url] [/not-audio_url]

Duration: 58:32
Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony,…
Zemlinsky: The Mermaid [not-audio_url] [/not-audio_url]

Duration: 1:01:32
The story of Alexander von Zemlinsky's The Mermaid begins with a passionate love affair and ends in heartbreak of the most unabashedly big-R Romantic kind. In 1900, the young, fabulously talented, and famously beautiful…
Pergolesi Stabat Mater [not-audio_url] [/not-audio_url]

Duration: 59:02
Many aspects of Giovanni Battista Pergolesi's life seem relatively normal when it comes to composers of the Baroque era. He was prolific, died young, and his music became very famous only after his death. However, all th…
Rachmaninoff Piano Concerto No. 2 [not-audio_url] [/not-audio_url]

Duration: 52:41
We humans seem to love comeback stories, and there is no comeback quite as compelling in the classical music world as Rachmaninoff's Second Piano Concerto. It was written three years after the disastrous premiere of his…
Handel Messiah w/ Aram Demirjian [not-audio_url] [/not-audio_url]

Duration: 1:09:11
A piece that I have been asked to cover probably a dozen times is Handel's Messiah. It's a piece I love, but a piece that I've never conducted or played, and so therefore I don't know it incredibly well. There are plenty…
Gustav Holst: The Planets [not-audio_url] [/not-audio_url]

Duration: 1:02:09
Mr. Holst, wherever you are, I apologize in advance for what I'm about to say. From my research, I know you resented this fact, but unfortunately, I think it's true. Here it is: despite the large catalogue of music Gusta…
Franck Symphony in D Minor [not-audio_url] [/not-audio_url]

Duration: 59:57
In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music househol…