Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag!

Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag!

Author: Joshua Weilerstein March 6, 2025 Duration: 59:12

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel and Friends. A few months ago, the Henle office contacted me to ask if I would be willing to collaborate with them on a series of Sticky Notes episodes about Ravel, each one focusing on the relationship between Ravel and another composer who was in his circle. This sounded like an amazing idea, and so I jumped at the chance to work with them. So, over the course of the next 5-6 months, you will be seeing 5 episodes under the Ravel and Friends theme. Today's episode will be a chance to do an overview on Ravel himself and to take a look at some major works that I haven't gotten around to covering on the show yet. We'll then finish the show with an interview with the great pianist Boris Giltburg, as we discuss the solo piano verison of Ravel's La Valse, one of the most challenging pieces in the entire repertoire. Later episodes will include a look at Ravel's relationships with Debussy, Gershwin, and De Falla, and much more! This is such an exciting chance to take a deeper look at one of the greatest 19th and 20th century composers, as well as take a look at the broader musical and social trends of that era, something I've always been deeply interested in. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 100

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Schubert Sonata in B Flat, D. 960 (Part 1) [not-audio_url] [/not-audio_url]

Duration: 40:07
For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a hu…
Mozart Piano Concerto in D Minor, K. 466 [not-audio_url] [/not-audio_url]

Duration: 48:12
H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was "an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a…
What is a Mode? [not-audio_url] [/not-audio_url]

Duration: 44:37
My first interaction with the musical term modes was Leonard Bernstein's brilliant Young People's Concert, also called What is a Mode? In that show, Bernstein showed how modes are an essential part of what makes modern m…
Brahms Piano Concerto No. 1 [not-audio_url] [/not-audio_url]

Duration: 1:03:25
In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, " "I have no judgment about this piece anymore, nor any control over it." Brahms first began sketching his first piano concerto i…
Fast, Furious, Fortissimo [not-audio_url] [/not-audio_url]

Duration: 46:31
Very often, when I tell people that I'm a classical musician, I am told, "wow, I love classical music! It's so relaxing!" I think almost all classical musicians have heard that before, and you know what? Sometimes, it's…
Copland Symphony No. 3 [not-audio_url] [/not-audio_url]

Duration: 1:01:02
There has always been a debate about "The Great American Symphony." By the time most prominent American composers got around to writing large scale symphonic works, the symphony had very nearly gone out of fashion. To ma…
An Exploration of Klezmer Music w/ Abigale Reisman [not-audio_url] [/not-audio_url]

Duration: 56:48
Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violin…
Schumann Symphony No. 3, "Rhenish" [not-audio_url] [/not-audio_url]

Duration: 54:36
In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist…
Beethoven String Quartet, Op. 59, No. 1 [not-audio_url] [/not-audio_url]

Duration: 58:38
In 1806, the 36 year old Beethoven received a commission from the Russian ambassador in Vienna, Count Andreas Razumovsky. Razumovsky wanted a set of string quartets for what would soon be his house string quartet which i…
Ethel Smyth Serenade in D [not-audio_url] [/not-audio_url]

Duration: 48:09
I've mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but sh…