Steve Reich: Different Trains

Steve Reich: Different Trains

Author: Joshua Weilerstein April 17, 2025 Duration: 52:30

Steve Reich, the great American contemporary composer, provided this program note about his work Different Trains: "The idea for the piece came from my childhood. When I was one year old my parents separated. My singer, song-writer mother moved to Los Angeles and my attorney father stayed in New York. Since they arranged divided custody, I travelled back and forth by train frequently between New York and Los Angeles from 1939 to 1942 accompanied by my governess. While the trips were exciting and romantic at the time I now look back and think that, if I had been in Europe during this period, as a Jew I would have had to ride very different trains. With this in mind I wanted to make a piece that would accurately reflect the whole situation."

Reich went about this piece in a completely innovative way: he recorded voices and then created the musical material for the piece out of the voices themselves, something that had never been done before. Therefore, the text and music material were integrated in a groundbreaking way, and the results are at times unbearably moving. This is a piece that has captured listeners attention in a way that is relatively rare for contemporary music, and it is a piece of immense power and depth. I have always been fascinated by this piece and have wanted to perform an orchestral version of it, but I never have been able to cover it on the show. That is, until AJ contributed enough to my fundraiser last year before the election to sponsor a piece, and he chose Reich's Different Trains. Today we'll talk a bit about Steve Reich generally for those of you unfamiliar with him, and then we'll tackle this remarkable and unique piece in all of its creativity and profound communication. Join us!


There’s a particular kind of curiosity that draws people to classical music, but the sheer scale of the repertoire can feel overwhelming. Sticky Notes: The Classical Music Podcast, hosted by conductor Joshua Weilerstein, meets that curiosity right where it is. Think of it as a series of open conversations about the music itself, designed to be equally engaging for someone hearing a symphony for the first time and for a lifelong devotee. Episodes might feature a thoughtful interview with a performing artist, offering a glimpse behind the curtain, or they could focus entirely on a single piece, peeling back its layers to explore why it resonates. Weilerstein guides these explorations with clarity and enthusiasm, moving seamlessly from foundational concepts to more nuanced details about different musical eras. The entire premise of this podcast is built on a genuine belief that this music belongs to all of us. It’s about replacing any sense of intimidation with connection and understanding. While past seasons are gradually being re-released, each episode stands as its own invitation to listen more deeply.
Author: Language: English Episodes: 284

Sticky Notes: The Classical Music Podcast
Podcast Episodes
Classical Music During the Pandemic [not-audio_url] [/not-audio_url]

Duration: 44:27
Today I was thrilled to have with me Matthew Szymanski of the Phoenix Orchestra and Aram Demirjian of the Knoxville Symphony on the show to talk about what classical music as a whole is going to need to do to respond to…
Mahler Symphony No. 2, Part 2 [not-audio_url] [/not-audio_url]

Duration: 36:58
Today we explore the two middle movements of Mahler's 2nd symphony. These movements were meant as intermezzi, and are both memories in their own way. The first is a nostalgic, wistful, and extraordinarily simple(for Mahl…
Debussy Prelude to the Afternoon of a Faun [not-audio_url] [/not-audio_url]

Duration: 35:17
We're taking a brief detour from Mahler 2 today to discuss Debussy's legendary Afternoon of a Faun, a piece written in the same year as Mahler's 2nd symphony. It's easy to forget how revolutionary this piece was at the t…
Mahler Symphony No. 2, Part 1 [not-audio_url] [/not-audio_url]

Duration: 38:24
"What next? What is life and what is death? Will we live on eternally? Is it all an empty dream or do our life and death have a meaning? We must answer this question, if we are to go on living." These words form the basi…
A Conversation with Jan Swafford, Composer and Author [not-audio_url] [/not-audio_url]

Duration: 56:02
If you ever wanted to be a fly on the wall for a slightly nerdy conversation between a conductor and a composer who also happens to be a great writer and thinker about classical music, this week's show is for you! This i…
Opus 1s: The First Works of Great Composers, Part 2 [not-audio_url] [/not-audio_url]

Duration: 42:13
Every great composer has an origin story. Every composer started somewhere. I'm fascinated with a composers first works because they tell us so much about who they are going to become. In some cases, composers were writi…
What is Historical Performance?  w/Augusta McKay Lodge [not-audio_url] [/not-audio_url]

Duration: 41:04
Have you ever wondered what the real differences are between modern and historical performance? Why do historical performances sound so different from modern ones? This week, we take a deep dive into historical performan…
Opus 1s: The First Works of Great Composers, Part 1 [not-audio_url] [/not-audio_url]

Duration: 45:39
Every great composer has an origin story. Every composer started somewhere. I'm fascinated with a composers first works because they tell us so much about who they are going to become. We can see in so many of these work…
Conductor's Roundtable [not-audio_url] [/not-audio_url]

Duration: 56:21
This week I was proud to join the Phoenix Orchestra's livestream at twitch.tv/thephoenixorch for a quarantined conductor's roundtable featuring Matthew Szymanski, Aram Demirjian, and Gemma New. We discussed what it is th…
Bartok Concerto for Orchestra, Part 2 [not-audio_url] [/not-audio_url]

Duration: 47:16
Bartok did not have an easy life in the US, and he was constantly both homesick and horrorstruck by the news from across the ocean. The final three movements of his Concerto for Orchestra display some of that heartbreak,…