Audrey Hobert says the quiet part out loud

Audrey Hobert says the quiet part out loud

Author: Vulture January 13, 2026 Duration: 55:16
Two years ago, Audrey Hobert had never written a song. She was a staff writer on a Nickelodeon series and had recently moved in with her childhood friend Gracie Abrams in Los Angeles. About six months later, a phrase spoken by a heartbroken acquaintance caught their attention; Hobert and Abrams sang it back to each other and wrote a complete song that night. Within the following year, Hobert co-wrote songs including “I Love You, I’m Sorry” and “Risk” for Abrams’s number-two album The Secret of Us. When the television show she was working on was later canceled, Hobert made a hard pivot into her own music. What happened was Who's the Clown, a debut album where every track came from Hobert's own pen. In this live conversation recorded at NYU Steinhardt's Music and Performing Arts Professions program at Chelsea Studios, Hobert traces her path from dance classes choreographed to One Direction to eight-hour writing sessions that yield two good lines on a lucky day. She explains why she can't write in front of anyone, why she refuses to repeat a chorus three times, and why the Steve Martin documentary made her open her album with the disarmingly strange declaration: "I like to touch people." The conversation moves from craft to confession as Hobert reflects on what it means to finally be looked at, and whether the view from inside the spotlight is everything she'd imagined. Subscribe to the ⁠Newsletter⁠ to play along with our annual bingo predictions (last episode) SONGS DISCUSSED Gracie Abrams "I Love You, I'm Sorry" Gracie Abrams "That's So True" Smash Mouth "All Star" One Direction "Kiss You" Audrey Hobert "Wet Hair" Audrey Hobert "Chateau" Audrey Hobert "I Like to Touch People" Audrey Hobert "Sex in the City" Audrey Hobert "Sue Me" Audrey Hobert "Bowling Alley" Semisonic "Closing Time" Audrey Hobert "Silver Jubilee" Audrey Hobert "Don't Go Back to His Ass" Audrey Hobert "Shooting Star" Black Eyed Peas "I Gotta Feeling" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ever wonder why a certain pop song gets stuck in your head for days, or how a simple chord change can make you feel a specific way? Switched on Pop digs into those questions with a unique blend of expert analysis and genuine curiosity. Hosts Nate Sloan, a musicologist, and Charlie Harding, a songwriter, act as friendly guides through the intricate world of popular music. They don't just review hits; they dissect them, exploring the craft behind the catchiness. In each episode, you'll hear them break down a track's structure, its historical context, and the production techniques that give it its emotional punch. This isn't a dry academic lecture, though. It's a conversation between two people who love music, unpacking everything from timeless classics to today's viral trends to reveal why pop works the way it does. The Switched on Pop podcast, from Vulture, makes the familiar strange again, encouraging you to listen more deeply. You'll start to hear the clever harmonies hidden in a chart-topper, the rhythmic patterns borrowed from decades past, and the lyrical choices that resonate with millions. It's for anyone who has ever tapped a foot to a radio song and then wondered about the mechanics of that reaction. Tune in and you might just find that your favorite songs have layers you've never noticed before.
Author: Language: English Episodes: 100

Switched on Pop
Podcast Episodes
A brief history of terrible lyrics (with Sam Sanders) [not-audio_url] [/not-audio_url]

Duration: 43:05
Why do bad lyrics happen to good people? From "suckin' on a chili dog" to "making love to his tonic and gin," even the biggest hits from our favorite artists can feature lyrical turns that make us feel quizzical, offende…
Summer Bummer (with Commotion’s Elamin Abdelmahmoud) [not-audio_url] [/not-audio_url]

Duration: 37:01
Every music critic seems to agree: 2025 has no true song of summer. Last August, Teddy Swims’s “Lose Control” dominated the charts. This year…Teddy Swims’s “Lose Control” dominates the charts. What’s going on? Why is the…
Justin Bieber's Lo-fi Bedroom Swag [not-audio_url] [/not-audio_url]

Duration: 43:51
Justin Bieber is back with his seventh studio album: the aptly-titled SWAG. The lo-fi, reverb-laden record is a remarkably candid look inside the world of Bieber, using the palette of both underground pop and 90's R&B to…
How podcasting got its sound ft. Breakmaster Cylinder [not-audio_url] [/not-audio_url]

Duration: 46:19
What if the entire sound of modern podcasting can be traced back to a single Grateful Dead song uploaded in 2001? We uncover the musical lineage that connects NPR's classical gravitas to dubstep wobbles, from the very fi…
Is that new song you like AI? Here’s how you can tell [not-audio_url] [/not-audio_url]

Duration: 49:49
The robots have arrived, and they're making protest songs about boots on the ground. When an AI band called The Velvet Sundown fooled over a million Spotify listeners with their psychedelic folk anthems, it raised an uns…
The Benson Boone-Doggle [not-audio_url] [/not-audio_url]

Duration: 32:20
In which we explore the unlikely rise, and surprising backlash against, one Benson Boone. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Can Recession Pop predict the market? [not-audio_url] [/not-audio_url]

Duration: 32:08
Why does the economy look great on paper but feel terrible in your wallet? There might be a more revealing economic indicator hiding in your Spotify queue. "Recession Pop" first emerged during the Great Recession and exp…
How Americana helped mainstream country find its soul [not-audio_url] [/not-audio_url]

Duration: 35:22
As we've been examining over the course of Country Week, country music has found a larger audience, in part by widening its sonic palette. For the final episode of this series, we take a look at a genre on the outskirts…
Country music is Mexican (Fuerza Regida and Grupo Frontera) [not-audio_url] [/not-audio_url]

Duration: 32:35
More often than not, country music is seen as an "American" genre – meaning that the music is seen as strictly from the United States. In some ways, that's true; but the genre's iconography, sound, and ethos can actually…
The Ballad of Lainey Wilson and Jessie Murph [not-audio_url] [/not-audio_url]

Duration: 28:25
There's often an unspoken (and deeply misogynistic) rule on country music radio: never play two female artists back to back. In this episode of Switched On Pop's country week, we aim to do just that. Looking at two artis…