What do John C. Reilly and Taylor Swift have in common? The Great American Songbook

What do John C. Reilly and Taylor Swift have in common? The Great American Songbook

Author: Vulture October 14, 2025 Duration: 57:12
John C. Reilly joins to discuss Mr. Romantic, his theatrical tribute to the Great American Songbook that treats Irving Berlin and Tom Waits as equals in the canon of timeless American song. Reilly recorded live in one room with his band using vintage ribbon microphones, embracing the squeaks and imperfections while layering in cinematic sound effects—crickets outside a lover's window, a collect call from prison—to transform each standard into an immersive scene. But what makes a song from the 1920s feel eternal? Music data scientist Chris Dalla Riva, author of the forthcoming Uncharted Territory and the newsletter Can't Get Much Higher, breaks down how composers like the Gershwins wrote for amateur musicians playing sheet music at home, creating universal lyrics and AABA structures where the hook comes first. That accessibility is precisely what draws Reilly to this repertoire. He sees himself in the lineage of interpreters like Sinatra, not selling his own story but passing along music that already belongs to all of us, like holding up a seashell and saying, "Isn't this one beautiful?" More Get Chris Dalla Riva's book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves Subscribe to Chris Dalla Riva's Can't Get Much Higher Songs Discussed Taylor Swift "The Last Great American Dynasty" George Gershwin "I Got Rhythm" Village People "Y.M.C.A." Billie Eilish "Bad Guy" Frank Sinatra "On the Sunny Side of the Street" Judy Garland "Over the Rainbow" Ella Fitzgerald "My Romance" George Gershwin "But Not for Me" Elvis Presley "Are You Lonesome Tonight" The Beatles "We Can Work It Out" The Beatles "Get Back" The Beatles "Yesterday" John C. Reilly "Moonlight Serenade" John C. Reilly "Dreams" John C. Reilly "Johnsburg, Illinois" John C. Reilly "Falling in Love Again" John C. Reilly "What'll I Do" John C. Reilly "Picture in a Frame" John C. Reilly "Just Another Sucker on the Vine" Randy Newman "Ragtime" John C. Reilly & David Garza "What's Not To Love" Harry Nilsson "Coconut" Judy Garland "Somewhere Over the Rainbow" Dooley Wilson "As Time Goes By" The New Vaudeville Band "Winchester Cathedral" Andy Williams "The Days of Wine and Roses" Nat King Cole "The Frim Fram Sauce" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ever wonder why a certain pop song gets stuck in your head for days, or how a simple chord change can make you feel a specific way? Switched on Pop digs into those questions with a unique blend of expert analysis and genuine curiosity. Hosts Nate Sloan, a musicologist, and Charlie Harding, a songwriter, act as friendly guides through the intricate world of popular music. They don't just review hits; they dissect them, exploring the craft behind the catchiness. In each episode, you'll hear them break down a track's structure, its historical context, and the production techniques that give it its emotional punch. This isn't a dry academic lecture, though. It's a conversation between two people who love music, unpacking everything from timeless classics to today's viral trends to reveal why pop works the way it does. The Switched on Pop podcast, from Vulture, makes the familiar strange again, encouraging you to listen more deeply. You'll start to hear the clever harmonies hidden in a chart-topper, the rhythmic patterns borrowed from decades past, and the lyrical choices that resonate with millions. It's for anyone who has ever tapped a foot to a radio song and then wondered about the mechanics of that reaction. Tune in and you might just find that your favorite songs have layers you've never noticed before.
Author: Language: English Episodes: 100

Switched on Pop
Podcast Episodes
A brief history of terrible lyrics (with Sam Sanders) [not-audio_url] [/not-audio_url]

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Every music critic seems to agree: 2025 has no true song of summer. Last August, Teddy Swims’s “Lose Control” dominated the charts. This year…Teddy Swims’s “Lose Control” dominates the charts. What’s going on? Why is the…
Justin Bieber's Lo-fi Bedroom Swag [not-audio_url] [/not-audio_url]

Duration: 43:51
Justin Bieber is back with his seventh studio album: the aptly-titled SWAG. The lo-fi, reverb-laden record is a remarkably candid look inside the world of Bieber, using the palette of both underground pop and 90's R&B to…
How podcasting got its sound ft. Breakmaster Cylinder [not-audio_url] [/not-audio_url]

Duration: 46:19
What if the entire sound of modern podcasting can be traced back to a single Grateful Dead song uploaded in 2001? We uncover the musical lineage that connects NPR's classical gravitas to dubstep wobbles, from the very fi…
Is that new song you like AI? Here’s how you can tell [not-audio_url] [/not-audio_url]

Duration: 49:49
The robots have arrived, and they're making protest songs about boots on the ground. When an AI band called The Velvet Sundown fooled over a million Spotify listeners with their psychedelic folk anthems, it raised an uns…
The Benson Boone-Doggle [not-audio_url] [/not-audio_url]

Duration: 32:20
In which we explore the unlikely rise, and surprising backlash against, one Benson Boone. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Can Recession Pop predict the market? [not-audio_url] [/not-audio_url]

Duration: 32:08
Why does the economy look great on paper but feel terrible in your wallet? There might be a more revealing economic indicator hiding in your Spotify queue. "Recession Pop" first emerged during the Great Recession and exp…
How Americana helped mainstream country find its soul [not-audio_url] [/not-audio_url]

Duration: 35:22
As we've been examining over the course of Country Week, country music has found a larger audience, in part by widening its sonic palette. For the final episode of this series, we take a look at a genre on the outskirts…
Country music is Mexican (Fuerza Regida and Grupo Frontera) [not-audio_url] [/not-audio_url]

Duration: 32:35
More often than not, country music is seen as an "American" genre – meaning that the music is seen as strictly from the United States. In some ways, that's true; but the genre's iconography, sound, and ethos can actually…
The Ballad of Lainey Wilson and Jessie Murph [not-audio_url] [/not-audio_url]

Duration: 28:25
There's often an unspoken (and deeply misogynistic) rule on country music radio: never play two female artists back to back. In this episode of Switched On Pop's country week, we aim to do just that. Looking at two artis…