JAMES SLATTERY - Colourist

JAMES SLATTERY - Colourist

Author: James Ellis Deakins, Roger Deakins January 21, 2026 Duration: 1:22:41

SEASON 2 - EPISODE 177 - James Slattery - Colourist

In this extended episode of the Team Deakins Podcast, we speak with colourist James Slattery (THE LOST BUS, EMPIRE OF LIGHT, 1917). How does someone become a colourist? What do they really do? What is a CDL? DI? QC? DIT? P3? HDR? James, with whom we've worked with several times, graciously explains what all these acronyms (and more) mean, how a colourist generally goes about their work nowadays on any given project, and what he's able to do to help filmmakers solve problems and help realize their visions in the final stages of post-production. James has experience timing dailies and also applying the finishing grade, and he helps us explain the different responsibilities and expectations of each process. James later helps us provide an overview of the different types of deliverables for a film, and he shares some common mistakes young colorists today should avoid. Though the role of a colourist is technically and creatively demanding, James, throughout our conversation, stresses the importance of being able to work with others as a member of the team.

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This episode is sponsored by Aputure


There’s a particular kind of conversation that happens when two people who have spent a lifetime in film just start talking, following a thread wherever it leads. That’s the heart of Team Deakins. Roger Deakins, the Oscar-winning cinematographer, and his longtime collaborator and wife, James Ellis Deakins, sit down to unpack questions sent in by listeners, which means every episode begins with a specific point of curiosity-a technical detail, a business dilemma, a philosophical query about storytelling-and unfolds from there. You’ll hear them dig into the craft of cinematography, dissect the realities of the film and television industry, and share stories from their own remarkable journey. The discussion is meandering, insightful, and grounded in decades of practical experience. While it’s primarily their dialogue, they are occasionally joined by guests from across the film world, adding new dimensions to the talk. This isn’t a formal lecture series; it’s an accessible, ongoing dialogue between experts who love what they do. For anyone fascinated by how movies are made, from the lighting of a scene to the navigating of a career, this podcast offers a rare, unfiltered look behind the curtain. The entire project feels like a natural extension of their shared life in art, making each episode a unique and personal listen.
Author: Language: English Episodes: 100

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