The philosophy of Virginia Woolf’s ‘To the Lighthouse’

In 1908, Virginia Woolf wrote that she hoped to revolutionise the novel and ‘capture multitudes of things at present fugitive’. ‘To the Lighthouse’ (1927) marks perhaps her fullest realisation of the novel as philosophical enterprise, and not simply because one of its central characters is engaged with the problem of ‘subject and object and the nature of reality’. In the final episode of their series, Jonathan and James consider different ways of reading Woolf’s great novel: as a satirical portrait of her father through Mr Ramsay, as a study of creative expression through Lily Briscoe, or as a mystical, Platonic quest in which form and style respond to philosophical propositions, and the truth of human experience is to be found in movement, conversation and laughter. Get 50% off a 12-month subscription to Close Readings when you use the code 'woolf' at checkout: https://lrb.me/woolfcrpod (Note: this offer is only available on the link above, through our partner Supporting Cast, and not if you subscribe directly in Apple Podcasts, but you can still listen in Apple Podcasts if you subscribe in Supporting Cast.) Learn more about your ad choices. Visit megaphone.fm/adchoices