Why Do We Even Listen to New Music?

Why Do We Even Listen to New Music?

Author: Pitchfork August 7, 2020 Duration: 16:46
Listening to new music is what we do all day here at Pitchfork. But it isn’t always easy. Sometimes (OK, a lot of the time) it can be tempting to just throw on an old favorite rather than dig into something fresh. On this week’s episode of our podcast, Pitchfork Editor Puja Patel is joined by Reviews Editor Jeremy Larson to talk about the science behind why it’s difficult to engage with music you’re unfamiliar with–and also why it’s worth it. Follow PitchforkRadio on Instagram and Twitter to find out more about Pitchfork's audio/podcasts.

Ever find yourself reading a music review and wondering exactly how that score came to be, or what the real conversation sounded like behind the published words? That’s the space where The Pitchfork Review lives. Led by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. Larson, this podcast is essentially a backstage pass to the publication’s critical process. It’s not just about announcing opinions; it’s about the lively, nuanced, and sometimes contentious discussions that happen when passionate experts dissect new albums and singles. Each episode feels like you’re sitting in on an editorial meeting where the hosts and their colleagues break down what makes a track compelling, why a particular production choice works or fails, and where an artist fits within the broader musical landscape. You’ll get clarity on how reviews are crafted, sure, but more importantly, you’ll hear the genuine enthusiasm and deep knowledge that defines Pitchfork’s approach. Whether they’re championing an exciting new sound, debating the merits of a highly anticipated release, or even calling out a disappointing one, the dialogue is always insightful and refreshingly direct. For anyone who loves to think critically about music and wants to go beyond the star rating, this podcast offers a consistently engaging and authoritative listen.
Author: Language: English Episodes: 84

The Pitchfork Review
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