Graham Platner Is Staying in the Race

Graham Platner Is Staying in the Race

Author: The New Yorker December 22, 2025 Duration: 49:06
The Republican Susan Collins has held one of Maine’s Senate seats for nearly thirty years, and Democrats, in trying to take it away from her, have a lot at stake. Graham Platner, a combat veteran, political activist, and small-business owner who has never served in office, seemed to check many boxes for a progressive upstart. Platner, who says he and his wife earn sixty thousand dollars a year, has spoken passionately about affordability, and has called universal health care a  “moral imperative.” He seemed like a rising star, but then some of his past comments online directed against police, L.G.B.T.Q. people, sexual-assault survivors, Black people, and rural whites surfaced. A photo was published of a tattoo that he got in the Marines, which resembles a Nazi symbol, though Platner says he didn’t realize it. He apologized, but will Democrats embrace him, despite ugly views in his past? “As uncomfortable as it is, and personally unenjoyable, to have to talk about stupid things I said on the internet,” he told David Remnick, “it also allows me to publicly model something I think is really important. . . . You can change your language, change the way you think about stuff.” In fact, he frames his candidacy in a way that might appeal to disappointed Trump voters: “You should be able to be proud of the fact that you can turn into a different kind of person. You can think about the world in a different way.”  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts.

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Author: Language: en-us Episodes: 100

The Political Scene | The New Yorker
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