Richard Blanco.  For / After / Jan Beatty.

Richard Blanco. For / After / Jan Beatty.

Author: The Ceylon Press September 27, 2025 Duration: 4:09

 
After my third shot of tequila / chased by a lime 
sour as my rant: fuck this-fuck that-fuck them-fuck 
me-fuck it all / you slashed me / same as your poems’ slashes / slash 
me / when you asked me: so, why the fuck don’t you 
ever say it in your poems / I took another shot but couldn’t 
shoot out a reason / until now, Jan / you’re right, so / fuck \ 
 
that my poems never shut out strangers’ glassy-eyed
guh’mornins / fuck their mumbles wishing me
a wonderful day / on not-so-wonder-filled days / fuck
my naïve belief that their mouths and mine
have a heart / fuck my similes that choose to bite
into pleasantries like / buttered bread
for me to taste all day / a lifetime, Jan / fuck \

that I can’t hate kids / that my poems love
the screeches of their awe-filled eyes / that I want
to see whatever it is they see / butterfly spots
as tigers’ eyes winking / moss-skinned stones
as emeralds / snowflakes falling as frozen
stars / palm trees as flagpoles fluttering peace, Jan / fuck \

that my lines don’t lose their patience with
old folks at check-out lines / double-checking the price
of every fucking item / that my poems don’t have eyes
to roll at their yesteryear chatter / Can you believe the cost
of living today? / fuck that I listen to them / see
their wrinkled eyes as maps / roads
I trace toward my own dead end, Jan / fuck \

my mother who’s eighty-six / fuck that I can’t curse
at her / for never reading the poems
I’ve written, aching / for her to sweep away
the ashes / of the Cuban homeland she chose
to lose / fuck that I can’t stop rendering her
as a martyr / who died so I could write
this fucking poem in this country, Jan / fuck \

my father too / who waited until the hour
of his deathbed to whisper: te amo / fuck my poems
that always forgive him / but never myself for
not / whispering back: te amo, papá / fuck that I will never
tire of gathering our silences / into rivers of words
that flow nowhere / spill into nothing, Jan / fuck \

the nightmare that was my grandfather’s dream
of me becoming some baseball superstar I was never
going to be / fuck that my poems only acknowledge
his love’s persistence / the popsicles he’d treat me to
after every game / no matter how many times
I struck-out at bat / at life, Jan / fuck \

the fuck’n faggot my grandmother slurred at me
every day fuck’n faggot / fuck that my poems erase her
words to write her into my best friend
for teaching me how to survive cruelty such as
hers, in such a brutal world, Jan / fuck \


ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
Copyright © Richard Blanco. This poem is part of the portfolio “The Chorus These Poets Create: Twenty Years of Letras Latinas.” 


There’s a particular sound to the jungle-a layered quiet of leaves, birds, and distant water. It’s from within that atmosphere that The Sri Lanka Podcast: Poetry From The Jungle finds its voice. Produced by The Ceylon Press, each episode is recorded at the Flame Tree Estate & Hotel, nestled in the wilds northwest of Kandy. This isn’t a standard literary analysis show; it’s an experience of resonance. Here, timeless poems by renowned authors are read aloud, allowing their rhythms and meanings to intertwine with the ambient sounds of a Sri Lankan forest. The setting does more than provide backdrop-it actively shapes how you hear each word, offering a fresh and quietly profound perspective on verses you thought you knew. This podcast invites a slower kind of listening, where a classic sonnet might be punctuated by a monsoon shower or the call of a hornbill. It’s for anyone who believes place matters, that the environment where a story is told becomes part of the story itself. Tune in for a unique fusion of the literary and the natural, a deliberate retreat into the world of spoken art framed by one of the planet’s most vibrant soundscapes.
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