EP29 - Bend It Like Beckham

EP29 - Bend It Like Beckham

Author: Dylan Davis May 10, 2022 Duration: 1:52:23
British Director Gurninder Chadha dominated the UK theaters for three weeks in 2002 with a story about an Indian girl who just wanted to play soccer. When the audience turned out, though, they saw a multi-layered critique of modern British society that included sexism, racism, and clashing culture. Join me as we go scene by scene to see how clandestinely Chadha discusses these topics using clever iconography and metaphor in what is one of the most important films about immigration, assimilation, and aloo gobi. Works Cited Bagguley, Paul and Hussaine, Yasmin. Bend It Like Beckham film review. Feminist Media Studies, Vol 2, No. 3, 2002. Routledge Taylor and Francis Group Press. Deprez, Camille. Comparative Reflections on Hong Kong and indian Cinema - Identity, Diaspora, and Cosmopolitanism. China Perspectives, 2009. No. 3 (79) (2009), pp 87-96. Gianrdina, Michael. Bend[ing] it Like Beckham: Stylish Hybridity in Popular British Culture. Counterpoints, 2005, Vol 282, Sporting pedagogies: Performing Culture & Identity in the Global Arena (2005), pp 27-48. Alie, Lorraine. GOOOOOOAL! Newsweek; 4-21-2003, Vol 141 Issue 16, p52, 2p, 2c. Ransom, Amy J. Bollywood Goes to the Stadium: Gender, national Identity, and Sport Film in Hindi. Journal of Film and Video, Vol 66. No. 4 (Winter 2021). Pp 34-49. Stuart, Jan. Alive and Kicking. The Advocate. 4-1-03. Issue 886. P57. 1p. 1c. Sawhney, Cary Rajinder. ‘Another Kind of British’: An Exploration of British Asian Films. Cineaste, Fall 2001. Vol. 26, No. 4. Pp58-61. The Sikh Encyclopedia https://www.thesikhencyclopedia.com/ A starter for Sikhism https://www.allaboutsikhs.com/ To see how two forwards level off before scoring, watch this textbook execution https://youtu.be/hadWFJS-An8 On Twitter @thatdylandavis www.thatdylandavis.com Find @rozalindmacphail www.rozalindmacphail.com

Dylan Davis hosts The Super 70 Podcast, a unique audio experience built for film lovers. Each episode is designed as a scene-by-scene commentary track meant to be played in sync with a specific movie, offering deep-dive analysis, behind-the-scenes trivia, and thoughtful observations you might miss on a solo viewing. Of course, you can also just enjoy the conversation on its own during a commute or while doing chores-the insights stand alone. Dylan brings the perspective of a creator himself, having written works like "FLYNN!", "Dating Virginia," "Buffalo Seine," and "Threshold." This background as a writer and a dedicated consumer of culture informs the discussions, which are less about simple review and more about engaging with film as a vital, layered art form. Tune in to this podcast for a guided tour through the details of cinema, where the focus is on understanding the craft and the choices that shape the stories on screen. It’s like having a well-informed friend in the room, pointing out the clever edits, the symbolic set design, or the narrative turns that define a film’s impact. The goal is to enrich your viewing experience and foster a deeper appreciation for the movies, one scene at a time.
Author: Language: English Episodes: 90

The Super 70 Podcast
Podcast Episodes
34.6 2023 Year In Review [not-audio_url] [/not-audio_url]

Duration: 2:58:24
Dave and I go over the biggest releases in 2023 and hit our letterbxd to see what worked, what didn’t, and why we keep going back to the theatre. We also discuss the most important topics of the day, such as watching Fin…
34.5 Godzilla And Trauma [not-audio_url] [/not-audio_url]

Duration: 56:10
Takeshi Yamazaki shook the American movie market last month when Godzilla Minus One became the highest earning Japanese film in history. The lizard has always been popular but placed against the backdrop of the tragedy o…
34.4 The Holdovers Holiday Special Part Deux [not-audio_url] [/not-audio_url]

Duration: 24:17
My good friend Dave Anderson went to go see the Holdovers on my recommendation and he listened to my last podcast episode with great envy. Jealous that he could not participate, he texted me, begged me, pleaded with me,…
34.3 The Holdovers Holiday Special [not-audio_url] [/not-audio_url]

Duration: 44:20
Alexander Payne had not made a single film that I like until I went to see The Holdovers for Tightwad Tuesday. Masked by the period piece setting, the story is more about how broken people find peace than it’s outward im…
34.2 Ridley And Napoleon [not-audio_url] [/not-audio_url]

Duration: 1:58:57
My son Luke and I saw Napoleon the day after Thanksgiving and we came back immediately and turned the mikes on to talk about Ridley Scott’s latest epic. We run through the scenes, the history behind the great man (Napole…
34.1 Freakin' Friedkin! [not-audio_url] [/not-audio_url]

Duration: 1:49:49
After wrapping up the Sorcerer commentary, Dave and I sat around, consumed mass quantities, and as much as we tried to focus on Hurricane Billy Friedkin and his work, we quickly descended into how we consume cinema, soun…
34 Sorcerer (1977) [not-audio_url] [/not-audio_url]

Duration: 2:06:02
Hot off the success of the ninth highest grossing movie of all time, William Friedkin abandoned a film about the Bermuda Triangle to focus on a re-interpretation of the George Arnaud novel “The Wages of Fear.” Every poss…
33.2 The Specialist, Hannah Arendt And The Banality Of Evil [not-audio_url] [/not-audio_url]

Duration: 1:39:58
I sent my friend Dave Kinnaman Hanna Arendt’s famous book Eichmann in Jerusalem: A Study in the Banality of Evil. Dave became so engrossed in Arendt’s history of the Holocaust and her philosophy of murder that I then sen…
33.1 ANZAC Cinema [not-audio_url] [/not-audio_url]

Duration: 1:39:22
A few months ago I asked a friend of mine, Paul Emig to pick a movie, any movie, for the Super 70 Podcast. He chose Peter Jackson’s Braindead and needless to say this was not my cup of tea. But we don’t care about bad ta…
33 Braindead (1987) [not-audio_url] [/not-audio_url]

Duration: 1:43:08
Peter Jackson had already spent most of his own money developing his third film Braindead when his producer closed a deal to bring in a quarter million dollars to finish the project. Avalon Studios of Wellington, New Zea…