Author Matsuri closes out the final chapters and leaves no stone unturned, Chris speaks, Q-Chan shows off their human form and a climatic meeting with D's father finally happens. In a clever way, Matsuri switches from an episodic structure to a serial form, bringing the narrative home!
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135: Petshop of Horrors vol. 10
By Akino Matsuri
Translation by Tomoharu Iwo and James Lucas Jones
Lettering by Nunu Ngien
The story advances to its conclusion when Chris Orcot's extended family arrive. Chris knowing that he is adopted by his aunty and uncle forgives them and his cousins, but in a moment of crisis he learns to speak up and call for them, Chris' voice is heard by his cousins and he is taken home, even if the pets at the shop did not want Chris to leave them, Chris makes his own decision to live in peace with his real family. When Chris looks back at what he had with D in the pet shop he finds they no longer resemble the humanoids he once had a relationship with, they truly seem like animals now.
Afterwards D mysteriously leaves and closes shop upon getting heat from the FBI. Agent Vesca Howell teams up with Chris' older brother, the detective Leon Orcot to track D down. The two share what they know about D before they go their separate ways. Afterwards D appears to Leon and leads him to a high-rise penthouse to discuss things over tea and sweets. But Leon is not fooled since the imposter is Count D, the father of the missing D. Although this raises many questions as to why he looks like he in his twenties and is the spitting image of his son. Leon however falls for Count D's trap. And like in previous chapters, Leon must once again fight in the wilderness of a mythological dreamscape.
Meanwhile Agent Howell confronts the real D and loses the fight to apprehend him. D realises that Howell is only after his lookalike father and so he takes him to Count D. Both agent Howell and D arrive in time to help save Leon. It is at this point that D's personal pet, Q-chan transforms into his human form, revealing himself to be D's grandfather. Just in time for the existential crisis that is Count D's plan to spread a virus that causes human extinction. However, Count D is shot dead and Howell dies in the confrontation, The OG Count, Grandfather D takes his son's remains so that he can reincarnate him and Leon takes a leap of faith with D to safely escape the tower. Soon afterwards, D parts ways with Leon.
Eventually after twenty years pass, the pet shop is re-opened and mysterious deaths occur. Detective Orcot makes his way there to meet D, but this is not a reunion, in fact this is a meeting between the adult Chris Orcot and D's son, the reincarnated Count D who died twenty years ago.
Topics:
· Aino Matsuri's switch from an episodic style of storytelling to a serial one.
· Chris' dilemma
· Chris' unrealistic form of mutism.
· Is Count D human or not?
· The Misanthropic villain.
· The final chapter relies heavily on specific tropes so to create a feel of finality. The Tower itself is symbolic, appearing as a Tarot card after the Devil card. The Tower is almost always depicted having been struck by lightning or facing some sort of explosion or fire at the top. It represents, divination, to reach heaven and God and to experience a great revelation but one with an arduous cost. In many stories it is the protagonist's greatest challenge before they confront the truth that waits for them above, and usually by defeating the villain above it causes the tower to collapse, this is symbolic of a return to status quo, to humble and "ground" the heroes but also render the challenge of ever climbing it again to be mute. Also, like the biblical "Tower of Babel" anyone who attempts to climb or build it always comes to a misunderstanding when they meet someone at the top.
· Another symbolic scene is Leon becoming trapped in the forest, like "Jonah and the whale" Leon must face penance/consequence for his lack of faith and suspicion of D, it is a purgatory and womb like state that once he escapes from, he gets more purpose. It is also a traumatic instance of being isolated from society and one's tribe and in such stories those who survive the proverbial whale get a chance to better themselves or do better in the next life.
Historical, scientific, and cultural references:
· The Mountains of Kunlun China is specifically a belt of mountains that stetches through the centre and around parts of China, from the Tibetan plateau to the Tarim Basin, bordering on the Gobi Desert. It has mythical properties and is analogous to the Greek's Mount Olympus and the Tower of Babel, in that many creationist stories revolve around the mountains, which are deemed as the birthplace of China as a nation.
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