Episode 184: On David Lynch

Episode 184: On David Lynch

Author: SpectreVision Radio February 5, 2025 Duration: 1:42:21
David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch’s larger artistic project. To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern. A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel. REFERENCES David Lynch, Eraserhead David Lynch: The Art Life Victorian Nelson, The Secret Life of Puppets Norman Mailer, An American Dream Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer” George P. Hansen, The Trickster and the Paranormal Carl Jung, The Red Book Jack Arnold (dir.), The Creature from the Black Lagoon Noel Caroll, The Philosophy of Horror Gilles Deleuze, The Logic of Sense Jack Smith, “The Perfect Filmic Appositeness of Maria Montez” David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I’ll Never do Again Arthur Machen, The White People William Shakespeare, Macbeth Learn more about your ad choices. Visit megaphone.fm/adchoices

At the heart of Weird Studies, a podcast from SpectreVision Radio, you’ll find long-form conversations between Professor Phil Ford and writer J. F. Martel. Their discussions aren’t simple reviews or straightforward analyses; instead, they wander through the tangled undergrowth where art and philosophy meet, giving generous time to concepts that resist easy understanding and to creative works that fracture our ordinary sense of the world. This podcast deliberately lingers in that ambiguous space, treating the “weird” not as a genre but as a particular mode of experience-one that reveals the cracks in what we comfortably assume is real. Each episode feels like joining a deep, meandering dialogue between two friends who are both deeply knowledgeable and endlessly curious, covering a vast terrain that includes literature, film, music, and esoteric thought. It’s a show for anyone who suspects that the most profound truths are often found in the shadows, the anomalies, and the strangely beautiful. As part of the SpectreVision Radio network, which specializes in content that explores the uncanny edges of creativity, Weird Studies builds a unique community of listeners who are eager to think differently. You won’t find pat answers here, but you will encounter compelling questions and a shared sense of exploration that makes each installment a distinctive journey.
Author: Language: English Episodes: 230

Weird Studies
Podcast Episodes
Episode 66: On Diviner's Time [not-audio_url] [/not-audio_url]

Duration: 1:32:19
In the paper discussed in this episode, Phil Ford coins the term "diviner's time" to denote a particular feeling that will be familiar to anyone who has engaged in divinatory or magical practice, namely the feeling that…
Episode 63: Faculty X: On Colin Wilson's 'The Occult' [not-audio_url] [/not-audio_url]

Duration: 1:19:35
At its simplest, what Colin Wilson calls Faculty X is "simply that latent power in human beings possess to reach beyond the present." Yet its existence is evinced in all those phenomena that modernity files under "supern…
Episode 61: Evil and Ecstasy: On 'The Silence of the Lambs' [not-audio_url] [/not-audio_url]

Duration: 1:07:16
The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconce…
Episode 60: Space is the Place: On Sun Ra, Gnosticism, and the Tarot [not-audio_url] [/not-audio_url]

Duration: 1:26:27
Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are thos…
Episode 59: Green Mountains Are Always Walking [not-audio_url] [/not-audio_url]

Duration: 1:20:28
"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship…
Episode 58: What Do Critics Do? [not-audio_url] [/not-audio_url]

Duration: 1:00:34
What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are…
Episode 57: Box of God(s): On 'Raiders of the Lost Ark' [not-audio_url] [/not-audio_url]

Duration: 1:30:49
Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but on…