Episode 21: The Trash Stratum - Part 2

Episode 21: The Trash Stratum - Part 2

Author: SpectreVision Radio July 13, 2018 Duration: 1:06:11
The writings of underground filmmaker Jack Smith serve as a starting point for Phil and JF's second tour of the trash stratum. In their wanderings, they will uncover such moldy jewels as the 1944 film Cobra Woman, the exploitation flick She-Devils on Wheels, and (wonder of wonders) Hitchcock's Vertigo. The emergent focus of the conversation is the dichotomy of passionate commitment and ironic perspective, attitudes that largely determine whether a given object will turn out to appear as a negligible piece of garbage... or the Holy Grail. By the end, our hosts realize that even their own personal trash strata may give off shimmers of the divine. Jack Smith, Flaming Creatures Robert Siodmak (director), Cobra Woman (1944) Jack Smith, "The Perfect Filmic Appositeness of Maria Montez" Roger Scruton, English philosopher Mystery Science Theater 3000 (TV series) Kenneth Burke, American literary theorist Alfred Hitchcock (director), Vertigo (1958) Fyodor Dostoevsky, Notes from Underground Charles Ludlam's Theater of the Ridiculous Mel Brooks (director), High Anxiety (1977) "Ironic Porn Purchase Leads to Unironic Ejaculation", The Onion (1999) James Carse, Finite and Infinite Games Jorge Luis Borges, "The Approach to Al-Mu'tasim" Herschell Gordon Louis (director), She-Devils on Wheels André Bazin, What is Cinema? Erik Davis, "The Alchemy of Trash" David Lynch, Mulholland Drive William James, The Varieties of Religious Experience Phil Ford, "Birth of the Weird" Learn more about your ad choices. Visit megaphone.fm/adchoices

At the heart of Weird Studies, a podcast from SpectreVision Radio, you’ll find long-form conversations between Professor Phil Ford and writer J. F. Martel. Their discussions aren’t simple reviews or straightforward analyses; instead, they wander through the tangled undergrowth where art and philosophy meet, giving generous time to concepts that resist easy understanding and to creative works that fracture our ordinary sense of the world. This podcast deliberately lingers in that ambiguous space, treating the “weird” not as a genre but as a particular mode of experience-one that reveals the cracks in what we comfortably assume is real. Each episode feels like joining a deep, meandering dialogue between two friends who are both deeply knowledgeable and endlessly curious, covering a vast terrain that includes literature, film, music, and esoteric thought. It’s a show for anyone who suspects that the most profound truths are often found in the shadows, the anomalies, and the strangely beautiful. As part of the SpectreVision Radio network, which specializes in content that explores the uncanny edges of creativity, Weird Studies builds a unique community of listeners who are eager to think differently. You won’t find pat answers here, but you will encounter compelling questions and a shared sense of exploration that makes each installment a distinctive journey.
Author: Language: English Episodes: 230

Weird Studies
Podcast Episodes
Episode 67: Goblins, Goat-Gods and Gates: On 'Hellier' [not-audio_url] [/not-audio_url]

Duration: 1:23:34
On the night before this episode of Weird Studies was released, a bunch of folks on the Internet performed a collective magickal working. Prompted by the paranormal investigator Greg Newkirk, they watched the final episo…
Episode 66: On Diviner's Time [not-audio_url] [/not-audio_url]

Duration: 1:32:19
In the paper discussed in this episode, Phil Ford coins the term "diviner's time" to denote a particular feeling that will be familiar to anyone who has engaged in divinatory or magical practice, namely the feeling that…
Episode 63: Faculty X: On Colin Wilson's 'The Occult' [not-audio_url] [/not-audio_url]

Duration: 1:19:35
At its simplest, what Colin Wilson calls Faculty X is "simply that latent power in human beings possess to reach beyond the present." Yet its existence is evinced in all those phenomena that modernity files under "supern…
Episode 61: Evil and Ecstasy: On 'The Silence of the Lambs' [not-audio_url] [/not-audio_url]

Duration: 1:07:16
The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconce…
Episode 60: Space is the Place: On Sun Ra, Gnosticism, and the Tarot [not-audio_url] [/not-audio_url]

Duration: 1:26:27
Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are thos…
Episode 59: Green Mountains Are Always Walking [not-audio_url] [/not-audio_url]

Duration: 1:20:28
"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship…
Episode 58: What Do Critics Do? [not-audio_url] [/not-audio_url]

Duration: 1:00:34
What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are…