Episode 27: Weird Music, Part One

Episode 27: Weird Music, Part One

Author: SpectreVision Radio September 26, 2018 Duration: 1:18:32
In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano. Header image by Bandan, Wikimedia Commons REFERENCES Ligeti, Musica Ricercata, 2nd movement Howard Shore and Ornette Coleman, opening music for David Cronenberg's Naked Lunch Schopenhauer, The World as Will and Representation Suzanne Langer, Philosophy in a New Key Henri Bergson, Creative Evolution Stanley Kubrick, 2001: A Space Odyssey Viktor Shklovsky, "Art as Technique" Stanley Kubrick, Eyes Wide Shut Hitchcock, Psycho Vulture, "The Evolution of the Movie Trailer" by Granger Willson Official Trailer for The Shining_vs teaser for _2012 Jan Harlan (director), Stanley Kubrick: A Life in Pictures David Cronenberg, Crash William S. Burroughs, Naked Lunch Gilles Deleuze & Félix Guattari, A Thousand Plateaus Gunther Schuller's interview with Ethan Iverson Weird Studies, Episode 25: David Cronenberg's Naked Lunch Deleuze & Guattari, Anti-Oedipus Learn more about your ad choices. Visit megaphone.fm/adchoices

At the heart of Weird Studies, a podcast from SpectreVision Radio, you’ll find long-form conversations between Professor Phil Ford and writer J. F. Martel. Their discussions aren’t simple reviews or straightforward analyses; instead, they wander through the tangled undergrowth where art and philosophy meet, giving generous time to concepts that resist easy understanding and to creative works that fracture our ordinary sense of the world. This podcast deliberately lingers in that ambiguous space, treating the “weird” not as a genre but as a particular mode of experience-one that reveals the cracks in what we comfortably assume is real. Each episode feels like joining a deep, meandering dialogue between two friends who are both deeply knowledgeable and endlessly curious, covering a vast terrain that includes literature, film, music, and esoteric thought. It’s a show for anyone who suspects that the most profound truths are often found in the shadows, the anomalies, and the strangely beautiful. As part of the SpectreVision Radio network, which specializes in content that explores the uncanny edges of creativity, Weird Studies builds a unique community of listeners who are eager to think differently. You won’t find pat answers here, but you will encounter compelling questions and a shared sense of exploration that makes each installment a distinctive journey.
Author: Language: English Episodes: 230

Weird Studies
Podcast Episodes
Episode 67: Goblins, Goat-Gods and Gates: On 'Hellier' [not-audio_url] [/not-audio_url]

Duration: 1:23:34
On the night before this episode of Weird Studies was released, a bunch of folks on the Internet performed a collective magickal working. Prompted by the paranormal investigator Greg Newkirk, they watched the final episo…
Episode 66: On Diviner's Time [not-audio_url] [/not-audio_url]

Duration: 1:32:19
In the paper discussed in this episode, Phil Ford coins the term "diviner's time" to denote a particular feeling that will be familiar to anyone who has engaged in divinatory or magical practice, namely the feeling that…
Episode 63: Faculty X: On Colin Wilson's 'The Occult' [not-audio_url] [/not-audio_url]

Duration: 1:19:35
At its simplest, what Colin Wilson calls Faculty X is "simply that latent power in human beings possess to reach beyond the present." Yet its existence is evinced in all those phenomena that modernity files under "supern…
Episode 61: Evil and Ecstasy: On 'The Silence of the Lambs' [not-audio_url] [/not-audio_url]

Duration: 1:07:16
The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconce…
Episode 60: Space is the Place: On Sun Ra, Gnosticism, and the Tarot [not-audio_url] [/not-audio_url]

Duration: 1:26:27
Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are thos…
Episode 59: Green Mountains Are Always Walking [not-audio_url] [/not-audio_url]

Duration: 1:20:28
"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship…
Episode 58: What Do Critics Do? [not-audio_url] [/not-audio_url]

Duration: 1:00:34
What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are…